In a theoretical and philosophical discussion, the author examines the results of two drawing exercises he used with elementary students. Exercise One, "blind contour" drawing from life, was based on child-centered art learning theory. Exercise Two, copying an artwork, emphasized the learning of graphic conventions and cultural forms. (SJL)

In this study of four hyperactive elementary children, the effects of painting and physical activities on attention-to-task were observed. Both techniques brought improvement, the pleasure of the activities seeming to provide an intrinsic reward which the children internalized, bringing increased attention-to-task to other classroom activities.…

To identify an easy and effective method by which the classroom teacher can expand student art preferences, this study examined three suggested approaches: habituation; art criticism (Feldman-Mittler Methodology); and art production (studio activities). Combinations of these approaches were studied in interaction with students' grade level. (SJL)

Discusses a study that compared the effects of selected aspects of a discipline-based approach to ceramic instruction with a child-centered approach. Makes comparisons in relation to fifth grade students' self-concepts, attitudes toward art, knowledge of art, and the aesthetic quality of modeled human figures and ceramic vessels. (KM)

Examines the influence of two self-instructional approaches to classroom management used with undergraduate art education majors. Reports that there was no significant difference in results between the two approaches. Reveals that both groups' understanding and ability in classroom management were higher than those of the control group. (KM)