Describes why and what happened when a teacher changed from viewing English teaching as a value-neutral act to teaching what matters to her. Relates what she expects from the reading and writing workshop and how raising her own voice in terms of her passions and what she values has strengthened students' voices. (SR)

Discusses one Sudanese student's frustration with learning English his second year in the United States. Describes writing assignments used in the seventh grade class. Notes that Simon, the Sudanese student, found poetry to be an easier way to express himself using the English language. (SG)

Suggests that kids need to see the concrete, work-a-day manner in which poetry is and can be woven into their existence. Presents a summary of the steps that are used by the teacher and student when learning something new through the expert-apprentice relationship. Outlines how to move students through the steps. (SG)

Discusses how a teacher of sixth- and seventh-grade primarily Mexican immigrants: (1) models being a second-language learner by working at Spanish; (2) provides an enjoyable school experience; (3) learns about students' culture and gives it respect; (4) seeks a detailed picture of where each English learner is academically; and (5) cultivates a…

Describes what to pack for the English/Language Arts teacher of the new century: a brain (outlining crucial lessons learned about language teaching and learning, important principles, and particular points about writing and reading literature); a heart (since teachers must inspire, nurture, and care about their students); and courage (in the face…

Describes the author's first year of teaching (1972). Discusses six lessons she learned, including how: (1) collaboration and choice build ownership and enthusiasm; (2) excitement and passion are vital supports for learning; (3) reading and writing for audiences beyond the classroom are powerful motivators; and (4) openness to new ways of viewing…

Describes how one 8th-grade English language arts teacher works to keep her students as the primary focus in her curriculum. Discusses how she uses a class council to connect with literature, discuss upsetting issues or incidents, and solve problems. Outlines activities that further the social and emotional learning component of her curriculum.…