The purpose of this study was to survey collegiate string musicians on their use of drone accompaniments to improve intonation. A questionnaire was developed and distributed to collegiate string musicians (N = 152). Most participants reported that they used a drone accompaniment as a tool to improve their intonation and that they were introduced…

Conducting courses are a common component of undergraduate instrumental music education programs. The experiences students have in those courses vary across and sometimes within institutions. This variation is due to many factors including choice of instructional materials and sequences, as well as whether textbooks or other instructional…

The purpose of this study was to examine undergraduate conductors' and conducting teachers' perceptions about basic conducting efficacy. At the beginning and end of the semester, undergraduate students (N = 19) enrolled in a basic conducting course (a) were surveyed about the importance of certain skills necessary for being an effective conductor…

The primary purpose of this study was to examine the potential of LOw LAtency (LOLA), a low latency audio visual technology designed to allow simultaneous music performance, as a distance learning tool for musical styles in which synchronous playing is an integral aspect of the learning process (e.g., jazz, folk styles). The secondary purpose was…

Music education researchers and conducting pedagogues have identified numerous behaviors that contribute to increased verbal and nonverbal teaching effectiveness of conductors on the podium. This article is a review of literature concerning several conductor behaviors that may (a) increase the effectiveness of rehearsals, (b) enhance the…

Based on the needs for viable melodic dictation strategies and thoughtful approaches to teaching prerequisite skills, the central research question guiding this qualitative study was as follows: What strategies do dictation takers describe having used on successfully completing a standard melodic dictation? Six sophomore music majors, recommended…

The purpose of this study was to analyze SATB (soprano, alto, tenor, bass) vocal jazz octavos (N = 150) from three publishers in an effort to (a) identify the most prolific arrangers/composers, (b) cite improvisation opportunities, (c) document publisher improvisation markings, (d) indicate repeated titles, (e) identify most popular styles, and…

Woodwind methods classes are where most teachers learn the basics of woodwind embouchure and tone production. Woodwind methods texts and beginning band methods disagree on clarinet embouchure. One cannot readily reduce any embouchure to one or two attributes; however, clarinet teachers and band directors often disagree about whether the corners of…