The purpose of this study was to examine psychological well-being outcomes and indicators of university students enrolled in a music ensemble and those not enrolled in a music ensemble. Self-reported data were purposefully gathered from university students in the Rocky Mountain region of the United States. Along with reporting demographic…

The primary purpose of this descriptive research was to replicate a previous study, comparing perceived happiness (pleasure, meaning, and engagement) and gratitude levels of university music majors by year in school (freshman, sophomore, junior, senior, or graduate) and major (music education or non-music education). The secondary purpose was to…

The primary purpose of this study was to investigate the effects of a singing-aural imitation treatment on collegiate instrumentalists' jazz performance achievement and self-efficacy to play and teach jazz and improvisation. A secondary purpose was to investigate to what extent various background variables might relate to jazz improvisation…

Self-compassion is a relatively new construct that is viewed as an alternative to self-esteem. Self-compassion can be described as how individuals view themselves when encountering failure or obstacles. The purpose of this study was to examine how college-age music students report self-compassion in comparison to non-music students. We…

The purpose of the present study was to examine collegiate band, choir, and orchestra members' preferred teacher interpersonal behaviors. The sample (N = 705) was composed of band, choir, and orchestra members at six universities. Participants completed the Teacher Interaction Preference Questionnaire (TIPQ). Descriptive results showed that all…

Institutions of higher education develop rich and effective marketing and recruitment plans, often devoting a great deal of time and energy to attract prospective students and their families. Music education programs often develop specialized recruiting strategies. The purpose of this study was to explore perceptions of music education recruiting…

The purpose of this study was to explore what motivates faculty and student involvement in this educational environment and how student participation in music coursework contributes to current musical endeavors. The research team utilized a modified explanatory sequential mixed methods design to collect survey data and focus group data from…

The purpose of this study was to explore the music-related habits, attitudes, preferences and participation of two members of a university Men's Glee Club. Fieldwork was conducted in twice-weekly meetings of a university glee club plus interviews and off-site observations with two non-music major participants. The participants' experience in a…

The purpose of this study was to investigate and describe various vibrato characteristics of university double bass students. The primary objectives were: (1) to describe vibrato rate and width for commonly used fingers in first, fourth, and thumb positions; (2) to investigate whether students initiate vibrato in an upward or downward direction;…

The purpose of this study was to determine the effect of varied accent/articulation marks on listeners' perceptions of forcefulness of attack and length of sustain in trombone articulations. Musicians (N = 68) were asked to listen to a series of seven short musical excerpts in which a predefined set of pitches would be accented. Participants rated…

The purpose of this study was to compare the relative effectiveness of three "mental" practice strategies: 1) silent, motionless mental practice, 2) singing/vocalizing, and 3) playing "air cello." Traditional physical practice was used as a control condition. Twelve collegiate-level cellists participated in the experiment, from which improvement…

Examines the relationship between academic, musical, and demographic variables; music self-concept; and enrollment in lecture or performance classes. Finds that students' enjoyment from making music is the strongest predictor of self-concept scores: satisfying musical experiences likely enhance music self-confidence, which, in turn, encourages…

Attempts to predict undergraduate students' achievement in a world music survey using six selected variables. Reports that 46% of the grade variation could be explained by linear association with the predictors. Shows that skills required for success in non-western music do not differ from those required for other academic disciplines. (DSK)

Describes a pilot study where choral conducting students used miniaturized scores (simplified scores that focus on specific gestural problems). Students received three simplified scores, each one highlighting a different approach. Students overwhelmingly favored the simplified score using a cuing technique. Includes, score excerpts, student…

Compares dominant motivational styles among students enrolled in music classes based on their reason for taking the class and their gender. Indicates that all students were more intrinsically motivated than extrinsically motivated, regardless of reasons for taking the course, and that females generally tend to be more motivated than males. (DSK)