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McPhail, Graham; Tibbles, Sally; Cornish, Mary – British Journal of Music Education, 2023
The purpose of this paper is to discuss the impact of the Curriculum Design Coherence Model (CDC Model -- Rata, 2019) on the design practice of two music teachers in a middle school music class in New Zealand. The CDC Model proposes that deep learning first requires deep design coherence. This coherence is generated by three interrelated design…
Descriptors: Curriculum Design, Music Teachers, Music Education, Middle School Teachers
Fautley, Martin; Daubney, Alison – British Journal of Music Education, 2022
This article considers the impact that the Swanwick-Tillman spiral article (Swanwick & Tillman, 1986) has had on contemporary thinking in music education in England. Building on a discussion concerning the antecedents of the notion of a spiral, the ways in which a generalist music curriculum can be planned and organised are discussed. Drawing…
Descriptors: Music Education, Spiral Curriculum, Teaching Methods, Tests
Hanke, Maureen – British Journal of Music Education, 2022
This article aims to capture how the Swanwick and Tillman (1986) spiral model of musical development influenced my work as an Inner London Education Authority (ILEA) music coordinator (advisory teacher). It discusses my professional position in a period of teaching prior to the implementation of the National Curriculum for Music, to illustrate…
Descriptors: Music Education, Spiral Curriculum, Elementary School Students, Educational History
Fautley, Martin; Kinsella, Victoria; Whittaker, Adam – British Journal of Music Education, 2019
The Whole Class Ensemble Tuition (WCET) is a model of teaching and learning music which takes place in many English primary schools. It is a relative newcomer to music pedagogy in the primary school. In the groundbreaking study reported in this paper, two new models of teaching and learning music are proposed. These are (a) "Music education…
Descriptors: Music Education, Music Activities, Teaching Methods, Learning Processes