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Showing 1 to 15 of 51 results Save | Export
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Mary Soylu – Art Education, 2023
African American artists have participated in every major art style and movement since before the founding of this nation. However, until recent decades, this "grand epic" had been marginalized within the traditional survey canon of American art. Art historians have undertaken considerable scholarship (Bearden & Henderson, 1993;…
Descriptors: African Americans, Art History, Black Colleges, Instructional Innovation
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Ungemah, Lori D.; Stokas, Ariana Gonzalez – Art Education, 2018
Offering art education and art experiences to marginalized student populations provides a break from the academic familiar and creates space for radical possibility both in the art classroom and across academic contexts. This article shows the value of artists-in-residence within community colleges, which tend to serve low income, racial minority,…
Descriptors: Artists, Community Colleges, Two Year College Students, Art Education
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Bey, Sharif – Art Education, 2012
Collecting and placing images/objects of inspiration and personal significance is not an uncommon practice for studio artists. Washington based mixed-media/installation artist Renee Stout draws from the collections she displays in her studio and in her home. She is an avid collector of various objects, including vintage perfumes, West African…
Descriptors: Art Education, Artists, Educational Practices, Art History
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Stephens, Pamela; Walkup, Nancy – Art Education, 2011
Many of the paintings of 20th-century American artist Philip C. Curtis defy clear classification. Curtis's artworks often show dreamlike and fantastical qualities and are therefore frequently pigeonholed as Surrealistic. While this classification is not completely erroneous, it fails to acknowledge some subtle differences between Curtis's artwork…
Descriptors: Artists, Painting (Visual Arts), Art Products, Art Expression
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Daichendt, G. James – Art Education, 2009
"Artist-Teacher" is a powerful and frequently used term in the fields of art, museum studies, art history, and art education. Art educators typically use the term to describe their dual practice or to emphasize the importance of art production in relation to their teaching. In this article, the author reviews historical uses of the term…
Descriptors: Artists, Art Teachers, Art Education, Art History
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Walling, Donovan R. – Art Education, 2006
Ideas are starting points-for thought, discussion, reading, viewing, writing, and making. The two "brainstorms on paper" presented in this article illustrate how taking an idea and examining it from an artistic point of view can generate thematic starting points to help teachers and students connect the visual arts to ideas that ripple across the…
Descriptors: Visual Arts, Art Education, Art Teachers, Conflict
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McMullen, Brianna – Art Education, 2006
A result of the industrial age was a short-lived but powerful new American art movement called Precisionism, most evident in painting, but visible also in drawing, photography, and print-making, focusing on industrial and mechanical subjects. Precisionism originated in the 1920s, allied with European Cubism's fascination with shape and geometric…
Descriptors: Visual Arts, Art History, Artists, Industrialization
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Clark, Roger; Folgo, Ashley – Art Education, 2006
Last year these authors addressed an issue in these pages that echoed Linda Nochlin 's (1971) haunting question, "Why have there been no great women artists?" (Clark, Folgo, & Pichette, 2005). That essay examined the question, "Have there now been any great women artists?" through a study of art history textbooks primarily written for college…
Descriptors: Textbooks, Historians, Females, Artists
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Kader, Themina – Art Education, 2006
There is plenty of literature, including exhibition catalogues, journal articles, and books written for those interested in learning and teaching about African art. Information on individual artists from the countries of Africa is also increasing. These sources attempt to highlight the artists' lives, education, working conditions and what they…
Descriptors: African Culture, Art History, Modern History, Artists
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Olson, Christa; Reichard, William – Art Education, 2006
While artists and academics have produced a wide range of work trying to understand national and individual identity, very little has been written about the experiences of student artists as they work to make sense of their particular political, social, and artistic identities and put them to work in the world. This article takes up that question,…
Descriptors: Art Education, Artists, Student Experience, Student Attitudes
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Clark, Roger; Folgo, Ashley R.; Pichette, Jane – Art Education, 2005
In this article, the authors focus on the degree to which women artists have been brought into the mainstream of art history by art historians in their textbooks. They then examine the characteristics of art historians who have been most and least likely to admit women into their versions of art history, and discuss how the definition of art…
Descriptors: Females, Artists, Art History, Historians
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Guip, David – Art Education, 1987
Offers an art lesson for grades K-3 based on an early 19th century sculpture of the head of a Benin Queen. Presents background on the relevance of Queen Mother's position in Benin culture. Discusses importance of regalia and scarification associated with Benin heads. Includes suggestions for classroom activities. (BR)
Descriptors: African Culture, African History, Art Appreciation, Art Education
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Lowe, Lynda – Art Education, 1987
Presents an art lesson for grades 4 through 6 based on the wooden sculpture entitled Daruma. Daruma was the founder of religion of Zen Buddhism. The lesson's goals are to introduce student to Buddhist legends and to cultivate respect for a culture different from their own. (BR)
Descriptors: Art Appreciation, Art Education, Art History, Artists
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Prabhu, Vas – Art Education, 1987
Offers an art lesson designed to introduce junior high school students to a Shiva sculpture and to Hindu symbolism. The lesson is based on a full-color photograph of a 500 year-old bronze sculpture entitled Shiva Nataraja, King of Dancers. (BR)
Descriptors: Art Appreciation, Art Education, Art History, Artists
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Blocker, Judith Sloane – Art Education, 1987
Nicolas Poussin's painting, "The Holy Family," is used to help secondary students comprehend the power, mystery, and significance of classical 17th century Western painting. Includes suggestions for classroom activities. (BR)
Descriptors: Art Appreciation, Art Education, Art History, Artists
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