Reverberation within an enclosed space can be viewed as a superposition of a large number of simple echoes. The echoes that make up the sound of reverberation fall neatly into two categories, relatively loud and sparse early reflections, and relatively soft and dense late reflections. Ways in which readily available music production software can be used for the study of reverberation are suggested. Additionally, methods of adding reverberation to recorded sound are discussed. (Contains 5 figures.)