Theory provokes and stimulates. This theoretical essay blurs the boundaries between academic and creative non-fiction writing to illustrate Black women artists mining self-serving economies of embodied, affective pleasure by crafting womanist erotica, that is, Black woman/girl-centred, eros-charged art, music, and literature. I play with words to produce a polyvocal diptych essay theorising the wonder of womanist erotica and elucidating my politics, perspectives and practices as a Black woman(ist) creative writer and educator concerned with Black women and girls' sex education. My illumination of, and indulgence in, corporeal pleasure is underpinned by knowledge of: (1) the pain that characterises many Black women and girls' educational and schooling experiences broadly, but also specifically with regards to sex education; and (2) the racialised, gendered, and culturally situated feeling of shame that arises for many during sexual play, that is, during our participation in sexually (self-)gratifying acts. Hence, I offer a potent(ially) viscerally pleasurable reading experience while aiming to deepen intellectual and embodied understandings of the empowering rapture that womanist erotica can ignite. In addition to naming and (re)claiming sexual desire as a prerogative, I think through womanist erotica as a tool for excavating a spiritually rooted erotic economy of (self-)pleasure.