The author analyzes two texts, Gloria Whelan's "Homeless Bird" and Deborah Ellis's "Parvana's Journey", in an attempt to explain some of the problems and difficulties associated with those texts. The author examines Whelan's representations of India and finds troubling binaries associated with that text. In comparison, the author finds Ellis's depictions of Afghanistan more nuanced and complex. The author also discusses student reception of both texts and offers ways to problematize some of their reactions.