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Payne, Ashley N.; Halliday, Aria S. – Gender and Education, 2023
Megan Thee Stallion is revolutionizing the representation of Black women in Hip-Hop by occupying polarizing positions in Hip-Hop culture. Megan represents the multiplicity of the Black girl/women's identities by navigating the confines of ratchet respectability, sexuality, and education. Her movements #HotGirlSummer and #HotNerdFall demonstrate…
Descriptors: Blacks, Females, Music, Popular Culture
Robbins, Elizabeth Krimmel – ProQuest LLC, 2019
American music education is focused primarily on music written by White men (Baker, 2003). However, women are more likely to believe they can find success in a career in the arts when they have positive female role models (Quimby & DeSantis, 2006). Similarly, college students are more likely to name career role models who match their own…
Descriptors: Music Education, Racial Differences, Gender Differences, Musicians
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Brimhall, Kathryn D. – Update: Applications of Research in Music Education, 2023
The purpose of this review of literature was to investigate the unique issues facing female band directors at the high school and college levels. A search of 5 different databases was conducted, and 39 studies met the inclusion criteria for this study. Results of this review of literature are presented according to the following themes: (1)…
Descriptors: Females, Music Education, Music Teachers, High Schools
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Palmquist, Jane E.; Payne, Barbara – Music Educators Journal, 1992
Observes that women's contributions to instrumental music frequently have been overlooked. Explains that, although women have written and performed music for string instruments for centuries, much of their work has been lost. Discusses some of the leading women composers. Suggests means of integrating women's works into the curriculum. Offers a…
Descriptors: Curriculum Development, Females, Music Education, Musicians
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Vincent, Richard C. – Journalism Quarterly, 1989
Compares the portrayal of women in music videos during the summer of 1985 with portrayals during the winter of 1986-1987. Finds that while sexism exists during both periods, the degree of sexism in the 1986-1987 videos varies by the sex of the musician, indicating that the presence of women musicians in videos decreases the degree of sexism. (MM)
Descriptors: Cable Television, Characterization, Comparative Analysis, Sex Bias
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Allen, Sue Fay; Keenan-Takagi, Kathleen – Music Educators Journal, 1992
Presents an annotated listing of choral works by women composers. Suggests sources of information about women composers and their music. Discusses some contemporary women whose compositions are particularly appropriate for student voices. Concludes that the listed works will help place women composers in perspective for student choral groups. (SG)
Descriptors: Females, Intermediate Grades, Music Education, Musicians
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Weiss, Paulette – Music Educators Journal, 1979
As the doors have opened in all areas of the music business, women have not hesitated to walk in, becoming disc jockeys, recording engineers, and producers, but it's still a struggle. (Author)
Descriptors: Equal Opportunities (Jobs), Females, Music, Musical Composition
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English, Helen J.; Davidson, Jane W. – International Journal of Music Education, 2023
In what ways can a community music education project based on historical re-enactment be a vehicle for transformational learning, empowerment and reconnection with community? In 2018, Serenading Adela was performed to celebrate and remember the 100th anniversary of a moment in history when women sang under the prison cell window of Adela…
Descriptors: Music Education, Transformative Learning, Singing, Females
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Miller, Terry E. – Contributions to Music Education, 2020
Although American Roman Catholic priest Father Joseph Maier founded the Mercy Centre in the heart of Bangkok's Khlong Toey slums in the early 1970s, music was not part of the program until around 2010 when Dr. Mick Moloney began raising funds to support the teaching of Thai classical music. With additional donations, the music program has grown…
Descriptors: Slums, Music, Dance, Classical Music
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Sboui, Anissa – Journal of Practical Studies in Education, 2023
Decentralized from decision-making processes, women have been placed at the periphery. Their silencing has been fundamental and intentional on the part of patriarchal institutions, for the sake of keeping them behind the discursive scene. To this effect, this paper examines the rebirth of women from prior states whereby they used to be denied the…
Descriptors: Poetry, Females, Decision Making, Gender Differences
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Ohito, Esther O. – Sex Education: Sexuality, Society and Learning, 2023
Theory provokes and stimulates. This theoretical essay blurs the boundaries between academic and creative non-fiction writing to illustrate Black women artists mining self-serving economies of embodied, affective pleasure by crafting womanist erotica, that is, Black woman/girl-centred, eros-charged art, music, and literature. I play with words to…
Descriptors: Sex Education, Sexuality, Feminism, African Americans
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Diaz Abrahan, Verónika; Sarli, Leticia; Shifres, Favio; Justel, Nadia – Creativity Research Journal, 2021
Research on creativity is a field of great relevance since it studies our capacity to create, the root of all innovation and problem solving. Some factors, like personality, motivation and artistic knowledge, are known to influence creativity. The aim of this study was to investigate the influence of music expertise and gender on creativity and…
Descriptors: Gender Differences, Creative Thinking, Musicians, Expertise
Thiele, Margaret – ProQuest LLC, 2012
In 2008 the Michigan State Board of Education adopted new certification standards for teacher preparation institutions training elementary classroom teachers. Eight content areas were identified, one of which was visual and performing arts. Standard 1.5, Visual and Performing Arts states candidates are to demonstrate knowledge and understanding in…
Descriptors: Preservice Teacher Education, Elementary Education, Music Education, Education Courses
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Kirby, Mia M. – Journal of Ethnographic & Qualitative Research, 2020
During the 1960s and 1970s, the popular music genres of funk, soul, and jazz set the soundtrack for the Black Power Era. Throughout this era, messages regarding positive imagery of the African American community were produced through music. Additionally, the image of the Strong Black Woman Archetype (SBWA) was developed by the African American…
Descriptors: African Americans, Females, Music, Social Attitudes
Meade, Marion – Women - A Journal of Liberation, 1970
This article examines the image of women in popular music as it has evolved in recent years from one of purity on a pedestal" to one of nothing more than an object for sexual exploitation. A review of specific writers and their music is presented. (CJ)
Descriptors: Behavior, Expressionism, Females, Feminism
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