Teenagers' innate interest with the justice system is one of the reasons that so many high school literary classics teem with criminals, controversial issues, and trials. Novels such as "To Kill a Mockingbird," "A Separate Peace," "The Crucible," and "Twelve Angry Men" feature high-impact trials. In the author's desire to tap into this interest,…

The central theme of "To Kill a Mockingbird," one of the most widely taught novels in high school English classes, is frequently misinterpreted by well-meaning teachers. Although the cause of racial justice deserves classroom attention, the central theme and the focus of the four significant parts of the novel--the opening words, the…

Describes how the author role-played a character from "To Kill a Mockingbird" to stimulate classroom discussion of the novel. (MM)

In 1998, Nancy Pearl and Chris Higashi, librarians working in the Washington Center for the Book at the Seattle Public Library (SPL), had a brainstorm. Challenged with a grant to develop new audiences for literature, they were intrigued with the power of books to unite diverse audiences. With that in mind, they expanded the book club concept to…

This thematic unit is all about what a classic novel about race relations in the 1930s American South, "To Kill a Mockingbird," and a frequently banned contemporary teen story about a candy sale, "The Chocolate War," have in common. The unit considers what people have in common, what it means to stand apart, and what…

Discusses juvenile family novels, such as Betty Waterton's "Quincy Rumpel," Sue Ann Alderson's "The Not Impossible Summer," and Jean Little's "Mama's Going to Buy You a Mockingbird." (EL)

The first purpose of this study was to discover and analyze the values in "The Red Badge of Courage,""Adventures of Huckleberry Finn,""The Catcher in the Rye," and "To Kill a Mockingbird." The values--conscious or unconscious motivators and justifiers of characters' actions and judgments--were classified according to H. S. Broudy's "Building a…

Outlines a method of teaching "To Kill a Mockingbird" along with the study of poetry. Notes that this method allows students to consider the themes of courage and developing compassion. Concludes that teaching such a multigenre unit allows students to look for connections among fact and fiction, the past and present, their own lives and…

Discusses the issues of finding a current film acceptable to local standards and justifying it as literature. Gives teaching suggestions for dealing with the setting, characters, themes, ending scenes, and visual poetry using the films "Places in the Heart" and "To Kill a Mockingbird." (EL)

Ponders why the novel "To Kill a Mockingbird" has held a place in the secondary school canon for 40 years. Describes a 10-week unit for year 10 English students that takes a critical literacy approach to the novel. Outlines a set of pre-reading activities, during reading activities and post-reading activities. (SR)

Describes the discomfort experienced by students and teacher as they explored how blackness is portrayed and understood in "To Kill a Mockingbird." Grapples with fundamental pedagogical questions: how to talk about race with a diverse group of students and how to examine victimization and oppression. Suggests tandem teaching with M.…

Examines taped small-group student discussions of "To Kill a Mockingbird" in two tenth grade classes. Explores various discussion skills, including getting started, overcoming tension, deciding who begins, keeping the discussion moving, supporting one another in groups, and dealing with conflict. (MM)

Contrasts and compares historical research on rural and Native American education and regional novels ("To Kill a Mockingbird" and "Laughing Boy") in order to demonstrate the importance of diversity in the concept of rurality. Suggests regional novels are an important component in the study of rural education. (AH)

Defines "synectics" as the bringing together of diverse elements. Notes that as an instructional strategy, it depends upon thinking by analogy or metaphor. Discusses components of a synectics lesson. Presents three sample synectics lessons (on "Macbeth," friendship, and Harper Lee's "To Kill a Mockingbird"). (PA)