Technologies such as videoconferencing used for distance education are creating ways for high schools to extend their learning communities to connect youth with professional communities of practice in ways that approximate the face-to-face interactions in traditional classrooms. These technologies are often touted as a way to augment course offerings and curricula, particularly those needed for college-going. The use of videoconferencing technologies alone, however, does not ensure that the desired forms of interaction will occur particularly given their reliance on traditional banking-model pedagogies and literacies. In this article, we focus on college bound Black and Latino/a youth from under resourced urban communities and their negotiations of new technologies, multiple literacies, and traditional pedagogies within a music education learning community extended through videoconferencing technologies. Employing a multicultural feminist critical theoretical framework, we unearth the ways Black and Latino/a youth's identities as active learners and college-bound musicians shape, and are shaped, in the interplay of new technologies, multiple literacies, and traditional pedagogies within a music education classroom.