This dissertation explores the way Kotiria/Wanano (E. Tukanoan, Kotiria hereafter) women of the Brazilian "Alto Rio Negro" (ARN) contrive (McDowell 1990) "kaya basa" "sad songs" using linguistic and musical resources to construct songs that express loneliness and other private emotions, while also creating alliances…

The Pan-Pontian dance "Tik" can be found in many variant forms depending on the geographical origins of the dance. The purpose of this study is to determine the differences and similarities between the different forms of the popular Pontiac dance "Tik" and therefore limit the uncertainties and generalizations around its basic…

When she was invited to present a keynote address at the Exeter Conference, the author was asked to offer "a particular perspective on a field of research within music education or a related domain". Given her interest in the related disciplines of sociology and ethnomusicology, and acknowledging the centrality of children's music making in the…

Article defined ethnomusicology and discussed its use at the Music Department of the University of Hawaii. (Author/RK)

This article explores one particular music festival, the Festspel i Pite Alvdal, as a source of musical learning. It is grounded in the empirical data of a case study that was gathered through observation, a survey, in-depth interviews, documentation and archival records. The theoretical framework was taken from modernity theory, and the study's…

This article is about whalesongs, hearing, musical brains, and a number of other topics explored over the past 35 years. Previous research is reviewed briefly, and more attention is given to recent efforts with an emphasis on collaborative research conducted with many wonderful colleagues. First is a brief account of the Institute for Music…

MUSSI is the name of a she-cat from an imaginary story invented and told by children from two elementary schools through different performing modalities. It is also the name of a pilot project of Applied Ethnomusicology funded by a major Portuguese Company, SONAE Sierra, through the local Loures Shopping Centre, which paid for the musical…

This paper describes a series of experiential educational exercises developed to better engage and more effectively educate master degree students in the necessary foundation skills that comprise a true scholar. It was developed from the atmosphere of viewing the initial disengagement of my students while at the same time recalling, as a student,…

The author of this article comments on the book, "Body Consciousness," by Richard Shusterman. She states that this book speaks to her as a musician-teacher, music scholar crossing multiple disciplines (education, musicology, ethnomusicology, women's studies, gender studies), lesbian-feminist, social activist, Buddhist. While she is not a…

The purposes of an ethnomusicology course at any level are to help students develop an appreciation for the power and beauty of various musics of the world and make cross cultural comparisons. Different ways to organize such a course and problems which may arise are discussed. (RM)

Examines the history and structure of two interdisciplinary fields (sociology of music and ethnomusicology) and describes their relationship to each other. Looks at the sociology of music within the context of musical scholarship, describes four approaches to musical sociology, and contrasts sociology of music with ethnomusicology. (AYC)

In western musical contexts at global and local levels, musicians are becoming increasingly involved in what might be termed multicode music making and are expanding their musical competences. In this article I consider the practical and cognitive implications of such an expanding of competences for music education at various levels. Combining…

The systematic study of Eskimo, Indian, and Aleut musical sound and behavior in Alaska, though conceded to be an important part of white efforts to foster understanding between different cultural groups and to maintain the native cultural heritage, has received little attention from Alaskan educators. Most existing ethnomusical studies lack one or…

Many American university percussion students in the early 21st Century are expected to have performance abilities in genres outside of the Western percussion tradition. With the increase in ethnomusicology programs and the active hiring of teachers with non-Western musical capabilities, many universities now offer multiple options for performance…

Proposes seminar on ethnomusicology as a reference for studying world music. (DS)