Many universities focus on improving pedagogy through training sessions related to technology and assessment. However, what is missing is an emphasis on the humanistic side of teaching, specifically emphasizing empathy in the classroom. This essay makes an argument for faculty to employ empathy in their teaching. Empathy is a learned behavior that…

While the proper teaching of technique is vital to the execution of a beautiful sound, many teachers forget an incredibly important fact: Most beginning students have very little idea what their instrument is supposed to sound like. It is in the teacher's interest to control the conversation by putting fine examples in front of the student. The…

The sequence of musical development is revisited. The origins of the underlying and evolving theory are considered, along with organisation and classification of the data of children's compositions. The cumulative and recursive nature of the spiral is re-emphasised, and the dynamic relationship between the left and right side is clarified. The…

Modes have historically been at the centre of music until the end of the Renaissance period, and were ignored for a while with the tonal system in the Baroque period and afterwards. However, in the contemporary period, with the search for new music, they started to gain popularity again and continued to be used as major and minor tonalities.…

The aesthetic experience of the body in music and performance education offers a remarkable perspective in terms of musical understanding. Somatic approaches and practices for mindbody integrity play a facilitating role in this process. The aim of this conceptual article is to examine theoretical and practical applications within the conceptual…

Two studies investigated the effect of a short improvisation intervention (theatrical improvisation in Study 1, musical improvisation in Study 2) on negotiation processes and outcomes. The expectation was that an improvisation exercise, compared to a control condition in which participants engaged in jigsaw puzzling, would result in better…

'The Sequence of Musical Development' by Swanwick and Tillman was published in the British Journal of Music Education (BJME) in 1986. This year marks its 35th anniversary and provides an occasion to look back on the article's content and legacy. It is also an opportunity to reflect on the antecedents for the article's underlying concepts, as well…

Music, when approached as a part of a classical liberal arts education, is a profoundly humanizing endeavor which can facilitate individual musical and moral growth within communities of practice. A classical approach to music education contrasts with common progressive and critical curriculum frameworks through a philosophically realist analysis.…

Teaching for musical meaning can be a multifaceted topic, since a universally accepted definition of musical meaning is elusive; yet musical meaning remains at the heart of music literacy. Music literacy is equally complex, as changes in technology constantly reorganize how musical sounds are produced, recorded, and transmitted. Today, musical…

The purpose of this study was to examine the effects of conductor score use (conducting with a musical score vs. conducting without a score) on observers' perceptions of conductors. We also examined how those effects may differ when viewed from the ensemble perspective compared to the audience perspective. Participants (N = 126) were collegiate…

This study reports preschool educators' uses of music in educational settings, as well as challenges faced in incorporating music in the classroom in the U.S. Through a multiple-methods approach, data from two focus groups (N1 = 8, N2 = 6) and a survey (N = 119) are used to gain insight into how frequently preschool educators in the US use various…

Part-work is a skill through which an individual performs and maintains one musical part while another part is performed at the same time. Rich and varied part-work experiences feature prominently in the musical lives of children. Despite this, elementary general music teachers often frame part-work as a skill needed in the short term to perform…

This teaching activity builds students' interpersonal competencies in identifying Mark Knapp's Stages of Relationships (Adler, Rosenfeld, Towne, & Scott, 2012, Interplay: The process of interpersonal communication, p. 504, Holt, Rinehart, and Winston). The activity establishes a theoretical understanding of each stage and asks students to use…

The cultural workforce has previously been described as pre-dominantly white, male and middle-class. Internships are often seen as a solution as they would function as a 'democratising path to launch careers'. Nevertheless, previous research has also suggested that there is no smooth path from an internship to paid work for anyone, and even less…

During a five-week research study, a kindergarten class of 14 five- and six-year-old children learned to sing and play soprano ukuleles. The study had a dual purpose: to teach the children foundational music skills, and to teach them to read lyrics at the emergent reader level. Csikszentmihalyi (2009) cites one of the pitfalls of traditional music…