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Jung, Joo Yeon; Shin, Jihae; Lee, Soojin – International Journal of Music Education, 2020
The increased attention to the use of popular music within the classroom is not new. In fact, music educators in many countries have discussed the incorporation of popular music into mainstream music education for decades. South Korea is no exception, and the younger generation has a genuine interest in and sensitivity toward popular music. Yet,…
Descriptors: Foreign Countries, Music Education, Teaching Methods, Musical Instruments
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Wild, Chris J. – Statistics Education Research Journal, 2017
"The Times They Are a-Changin'" says the old Bob Dylan song. But it is not just the times that are a-changin'. For statistical literacy, the very earth is moving under our feet (apologies to Carole King). The seismic forces are (i) new forms of communication and discourse and (ii) new forms of data, data display and human interaction…
Descriptors: Statistics, Data, Data Analysis, Influence of Technology
Callahan, Erin Colleen – ProQuest LLC, 2014
Focus on his biography and his performance in the media has long been the basis of interpretation of Bob Dylan's identity. This has resulted in the accepted critical theory of Dylan's identity as mercurial and lacking a central ipseity. However, as Michael Strachan argues, rock biography is an unstable genre because it treats its subjects as…
Descriptors: Singing, Musicians, Linguistic Performance, Self Concept
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Baxter, Marsha – International Journal of Education & the Arts, 2010
How might songs, like John Lennon's "Imagine" or Bob Dylan's "Blowin' in the wind", offer ways to explore alternative ways of being in the world, to challenge the status quo? How might these songs become springboards for original pieces that capture students' ideas about world issues? In this article, I observe what happens…
Descriptors: Musicians, Grade 5, Elementary School Students, Social Justice
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Carlson, James R. – English Journal, 2010
Guiding students through a unit of study in any discipline can be a challenging endeavor. Answers to possible questions that may be raised about historical events and literary texts cannot be confined to just one text, one author's point of view, or even one genre. The song-poem, in combination with poetry, novels, nonfiction, and other genres, is…
Descriptors: Literature, English Curriculum, Singing, Poetry
Randall, Mac – Teaching Music, 2010
When Taylor Carroll was in seventh and eighth grade at the Henniker School in Henniker, New Hampshire, her music teacher, Anne Hueglin, made music class fun. Now Carroll is a music teacher herself, covering K-8 general music, band, and chorus at the Nottingham School in Nottingham, New Hampshire. Following the lead of Hueglin, she teaches her own…
Descriptors: Music Teachers, Music Education, Grade 7, Grade 8
Wittman, Emily Ondine; Wright, Paul R. – Chronicle of Higher Education, 2007
The authors decided to use Bob Dylan's 2004 memoir "Chronicles" as a text in their freshman humanities seminars at Villanova University, partly to illustrate to increasingly career-oriented students--prospective engineers, business majors, and the like--how a liberal education and exposure to classic literature are relevant to everyone, and partly…
Descriptors: Classics (Literature), Humanities, Teaching Experience, Literary Criticism
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Monaghan, David – English Quarterly, 1973
Analyzes Bob Dylan's music in terms of its similarity with the themes and imagery found in the works of T. S. Eliot, concluding that Dylan should be accepted as an important literary figure. (RB)
Descriptors: Figurative Language, Literary Criticism, Musical Composition, Poetry
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Cioe, Paul – Eureka Studies in Teaching Short Fiction, 2003
Compares Joyce Carol Oates's short story "Where Are You Going, Where Have You Been?" to the song lyrics of Bob Dylan. Explores the influence Dylan's music had on Oates. Discusses different ways to approach teaching this work. (SG)
Descriptors: Cultural Influences, Higher Education, Instructional Improvement, Popular Culture
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Egan, William H. – Journal of Medical Education, 1977
An audio technique uses contemporary music recordings to illustrate various personality disorders, including: schizoid, paranoid, compulsive, antisocial, and hysterical. The works of Bob Dylan, Paul Simon, Harry Chapin, the Beatles, Janis Ian, James Taylor, Tammy Wynette, and others are cited. (LBH)
Descriptors: Higher Education, Medical Education, Medical Students, Music
Makay, John J.; Gonzalez, Alberto – Southern Speech Communication Journal, 1987
Discusses how Bob Dylan's biographical songs promote the myth of the outlaw-hero and offer powerful cultural criticism by appealing to three ethical traits: resistance to corrupt authority, integrity of the self, and simplicity. Shows how Dylan's biographical rhetoric defines a social context that appeals to a vast audience. (JD)
Descriptors: Cultural Influences, Music, Persuasive Discourse, Popular Culture
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Poague, Leland A. – Journal of Aesthetic Education, 1979
Using Bob Dylan's three somewhat different versions of "It Ain't Me, Babe," the author investigates the variables of Dylan's performances and how they alter the meanings of his songs, and suggests that the more we know about popular song the more we will understand the songs we subsequently encounter. (KC)
Descriptors: Aesthetic Education, Language Patterns, Literary Criticism, Literary Perspective
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Reid, Jo-Anne; Simpson, Tracey; Zundans, Lucia – Education in Rural Australia, 2005
Many teacher educators today will find little difficulty in completing this cloze--but Bob Dylan's understanding of the outsider may not be one that we share in terms of our own experience as teacher educators. Our concern in this paper is to suggest that such an understanding may also be one that we do not often concern ourselves with on behalf…
Descriptors: Discourse Communities, Rural Education, Teacher Educators, Teacher Education
White, David Manning, Ed. – 1970
The nature of today's popular culture, its place in American life, and its merit or lack of it are the themes of these essays from "The New York Times Magazine." Introductory essays discuss the use of leisure time, paying the cost of the arts, and whether American society can be considered "cultured." Subsequent essays discuss the nature of radio…
Descriptors: Art Appreciation, Commercial Television, Cultural Activities, Drama
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Doughty, Howard A. – College Quarterly, 2005
Phil Ochs was a prominent topical songwriter and singer in the 1960s. He was conventionally considered second only to Bob Dylan in terms of popularity, creativity and influence in the specific genre of contemporary folk music commonly known as "protest music." Whereas Dylan successfully reinvented himself many times in terms of his musical style…
Descriptors: Higher Education, Singing, Poetry, Poets
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