Questions the use of professional artists as appropriate role models for students learning about art making in the classroom. Examines a biography of one artist and reviews research on the psychological and social circumstances that facilitate art production. Suggests that the creation of those circumstances in the classroom would be complicated.…

Argues that studying professional art critics can provide material for studying art criticism in the classroom. Focuses on the published work of Lawrence Alloway. Describes how his work covered a wide range of artists and movements and how he was politically proactive in promoting underrepresented populations of artists. (KM)

Explores feminist pedagogy's liberating relevance to the theory and practice of contemporary art education, on the premise that feminism can ameliorate the marginal statuses of women, art, and education. Discusses feminism's impact on education, feminist pedagogy as an alternative instructional model with its emphasis in collaboration,…

Argues for a critical study of the arts to promote historical and sociological understanding. Reviews recent work in the sociology of education and culture, exposing the ideological nature and function of art and education in relation to the inequalities of class, gender, race, and ethnicity in society. (KM)

Asserts that art education promotes high culture and ignores popular culture and is thereby precluded from making a positive contribution to students' lives. Outlines the principles for a socially relevant art education. Maintains that such an art education would contribute critically to the meanings, values, and beliefs students form with…

Examines how cultural literacy currently means a particular form of aesthetic literacy. Proposes cultural literacy should include ethnoaesthetic studies of art and culture. Discusses characteristics of cash culture, the assumptions of universalism that accompany cash aesthetics, cultural literacy for critical consciousness, and the application of…

Investigates the relationship between contemporary art and public art education during the 1960s in Quebec, within the theoretical perspective of the social history of art. Analyzes the consolidation of modernism and the importance of the societal debate on education that questions the place and the role of art in society. (KM)

Reports on a study of instructional strategies and classroom techniques used by art teachers for children with disabilities. Finds that in both segregated and integrated art education settings, a balanced, comprehensive art education program is possible with all students. (CFR)

Asserts that traditional age-stage theory of visual art education is simplistic and misleading. Suggests that neoteny, the retention of juvenile-like traits in adults, may provide another means of linking human development to the visual arts. Concludes that the inherent neotenous aspects of art can make a contribution to successful aging. (CFR)

Traces how broad, historical, conceptual frameworks established by Arthur Efland continue to be useful in categorizing contemporary arguments on the form of art education. Contends that many popular justifications for art education lack a solid epistemological rationale. Advocates an approach to art education as a study of reasoned perception.…

Argues that neopragmatism can provide art educators with theoretical perspectives to guide interpretations of works of art, pedagogy, and curriculum. Notes ways in which neopragmatist strategies would open art education to new forms of inquiry. Uses an analysis of Gerhard Richter's "October 18, 1977" to show how neopragmatic pedagogy…

Aims to foster among art educators and students an awareness of how many contemporary artists are promoting ecological restoration. Grounds these artists' work historically, and discusses its view of humanity as interconnected with nature. Offers suggestions for involving art educators and students in ecological theory and artistic creation. (DSK)

Argues that researchers must adopt different personas when looking for research support and when researching: one demands business skills, the other requires interpersonal skills. Discusses issues associated with identifying and securing grant money, and aspects of doing qualitative research. Suggests future problems of compatibility between…

Reports the effects of art-history instruction on students' abilities to interpret artwork contextually. Confirms that eighth-grade students are more successful in contextual interpretation; students at both levels can use successfully the historical artist perspective; and art-history instruction at both levels increases students' ability to…

Explores theoretical and practical advantages of a constructivist shift from breadth to depth, and from formalism to contextualism, through the inclusion of artists' primary source writings. Believes that students benefit from linking artist's words to their images providing students with another point from which they can survey the world of…