There are different types of copying, some involving artistic behaviors and some not. It is important to differentiate these types, separating the replication of conventions from more inventive artistic behaviors. A framework for such examination is applied in a group of pilot studies involving children copying comic strips. (Author/RM)

Conceptual problems hinder the development of computer-assisted art instruction. Presented is a framework to guide the organization of instruction and to facilitate the selection of computer strategies appropriate to particular art learning situations. Various types of computer-assisted instruction are presented within a continuum of teaching…

This article describes Mr. Jewel's art history class--one of three art history classes whose curriculum organization, teaching methods, geographic range of materials, and level of content abstraction were studied using the educational criticism approach. Mr. Jewell's activities as a role model emerged as the major focus of this observation. (SJL)

Describes the Philosophy for Children program in critical thinking, its pedagogical approach involving the community of inquiry, and the sociocognitive learning theories upon which it is based. Suggests it can be used as a pedagogical model for developing collaborative learning approaches in art education, especially aesthetics. (KM)

Describes five approaches to multicultural education and relates them to art education. Discusses the relationships among various multicultural art education projects and their association with social reconstructionism. Outlines their interrelationship with curriculum design, teaching methods, content, goals, and objectives. (CFR)

Maintains that time and money are significant variables affecting the way art is taught. Reports on a survey of elementary art teachers. Finds that the teachers perceive themselves to be undervalued, have little planning time, and are provided with limited budgets to achieve educational objectives. (CFR)

Reports on a qualitative study of complex, sophisticated thinking among 50 preservice art teachers taking an art criticism course. Maintains that the conversational model of instruction helped students understand the higher-order thinking skills associated with art criticism. (CFR)

Asserts that educational researchers ideally want their interests, values, and assumptions about life and human purpose interwoven with their research themes. Reviews research in art education. Concludes that one topic to study would be the relationship between art education and life. (CFR)

Contends that using art textbooks is a relatively new trend in art education. Reports on a survey about art textbook use among 64 art teachers involved in an in-service teacher education program. Concludes it is important that the art education field encourages, promotes, and supports research on the use of art textbooks. (CFR)

Examines values inherent in qualitative assessment techniques of studio art programs in high schools. Focusing on advanced placement, Arts PROPEL, and International Baccalaureate programs, data were generated from criteria for assessment as outlined in the literature and curriculum materials. Identifies common themes and differences and includes…

Discusses a study that compared the effects of selected aspects of a discipline-based approach to ceramic instruction with a child-centered approach. Makes comparisons in relation to fifth grade students' self-concepts, attitudes toward art, knowledge of art, and the aesthetic quality of modeled human figures and ceramic vessels. (KM)

Compares Oskar Kokoschka's teaching practices with American Progressive Education literature. Observes that the latter stresses the need for practicing artists to teach in the schools. Evaluates the strengths and weaknesses of the artist-in-the-classroom concept revealed in light of Kokoschka's practices. (KM)

Examines the influence of two self-instructional approaches to classroom management used with undergraduate art education majors. Reports that there was no significant difference in results between the two approaches. Reveals that both groups' understanding and ability in classroom management were higher than those of the control group. (KM)

Proposes six position statements, supported by sociological and anthropological literature, in opposition to The Straight Line Melting Pot Theory. Seeks to assist art educators to recognize and respect not only the sociocultural diversity that may be present in the classroom, but also to design and implement culturally responsive art curricula.…

Reports on a study of instructional strategies and classroom techniques used by art teachers for children with disabilities. Finds that in both segregated and integrated art education settings, a balanced, comprehensive art education program is possible with all students. (CFR)