Describes a writing workshop for eighth graders that seeks to tap into the humor of their everyday lives, and that uses humorous literature and film to spark writing. (SR)

Discusses lighthearted writing, much of which has a serious intent as well as two highly desirable qualities: writer satisfaction and reader-appeal. Offers examples of all sorts of lighthearted writing including lighthearted writing from the classroom. (SR)

Describes how one teacher worked with a learning-disabled sixth grader, who benefited from the opportunity to write about what he knew and cared about. (SR)

Offers an account of the changes one teacher observed in her reading/writing workshop in a middle school classroom when she and her students took the time to focus on ways of talking to one another, building their speaking and listening skills. (SR)

Describes how one sixth-grade teacher of English/Language Arts stopped teaching from grammar texts and instituted a writing workshop. Describes flak he received from colleagues and parents, encouragement he received from students and from his principal, and how, over time, writing workshops have spread in his school. (SR)

Discusses how English/language-arts teachers can actively teach students to use a socially critical lens for thinking. Considers three modes of teaching this. Discusses how, once students have a least 10 notebook entries focused on social issues, "noticings," and questions, they should be able to reread their notebooks for themes that have…

Describes a 10-week unit in an eighth-grade English class focusing on social-action writing. Describes how the process involved convincing students of their ability to make a difference, studying persuasive writing, reading and discussing to wake up their social consciences, using various strategies to choose topics, and finally culminating in…

Describes the author's experience when the director and teacher-trainers of a writing program persuaded him that the oral interpretation he wished them to perform was too troubling and explosive to use. Outlines his questions and anguish about the incident, and the urgency of dealing with the dilemmas of multiculturalism, racial intolerance, and…

Describes how the author has her students create "found poems" and use them in conjunction with the students' own Readers/Writers Logs to help students make more of a text, own it, and discover the power of effective language. Includes instructions, student samples of found poems, and samples of the entire process. (SR)

Describes one teacher's experience teaching writing as she gets involved in writing along with her students. Discusses how she uses her own writing as examples of the writing process for the students. Explores experiences teaching and writing fiction. (SG)

Considers how the "process approach" to writing presupposes that a student has an idea, possesses a reasonable control over syntax, and has an appropriate vocabulary. Suggests that students need something "outside the box" to help them enhance the quality of their writing. Presents a project using multimedia tools to enhance…

Notes how the author helps his eighth graders become more effective writers by acknowledging the role emotions play in their learning and in their ability to make meaning. Describes how he shares his emotions with students to help them open up themselves. (SG)

Describes some of what educators have learned about the complex task they ask students to tackle when they put them in peer groups to talk with each other about their writing. Analyses the work of one peer revision group and illustrates the complicated work that students can engage in as they struggle to justify their writerly decisions to their…

Discusses several approaches to creating an effective text, envisioning a specific audience and determining how much detail is appropriate. Provides examples from seventh-grade English classes and a literacy methods course for middle-grade teachers. Considers some broader implications of the framework that educators are beginning to consider as…

Describes some of the writing stimuli used to help middle school teacher candidates with their own un-learning as they gain more confidence and insight about authentic writing. Encourages teachers to trust the process and muster the courage they will eventually need to model literacy in their own classrooms. (SG)