If we listen to them, the words of our students can provide a road map for instructional responses that meet their diverse literacy needs. In this article, Cara Gutzmer, a middle school literacy coach, and Phil Wilder, a teacher collaborator at the University of Illinois at Urbana-Champaign, discuss how a responsive teaching framework guided their…

Writing--and lots of it in all genres--is at the heart of the language arts curriculum and the skills of critical thinking that students need to develop to become prepared consumers and citizens. In this article, the author reflects on her growth as a writer and teacher, and offers an overview of what people know about writing, what they need to…

The authors offer research studies and other documented evidence that teaching grammar without a meaningful context does not improve student writing, largely because that approach does not address the root causes of errors. Several resources that support this position and offer more productive strategies are summarized, including the authors'…

Word processing continues to be the focus in many classrooms, although more and more teachers now ask students to publish on the Web, engage in e-mail conversations regarding their reading and writing, create slide presentations that represent their learning, post to blog sites, etc. And while there is a growing body of research that supports…

Points out that there is an enormous amount of material from the world of art that can help people see and, therefore, help them write. Notes the connections between writing and visual art as expressed in the work of many writers, including the author. Offers suggestions on how to explore the connections between writing and art. (SR)

Describes an adventure through writing and art. Discusses the many uses of the blank sketchbooks\journals that students make. Describes an integrated writing and art workshop in which sketchbook\journal items are developed into finished pieces. Describes the evolution of a focused classroom inquiry project (a lunar investigation). Includes…

Describes a teacher's work with a small-group Book Club format for adolescents (who were also parents) and a large-group workshop environment at a juvenile detention center. Shows that art creates powerful catalytic links to writing while serving as a catharsis for the young writers. Suggests that art helps them to concentrate thoughts for…

Describes how writing with specifics can transform poetry, helping to create vivid pictures in the reader's mind. Offers three of the author's own poems that illustrate the judicious use of detail. (SR)

Describes a series of activities to help middle school students develop an artist's vision and then convey that vision through poetry. Describes how lessons progress from looking at concrete objects to observations of settings and characters, gradually adding memory and imagination to direct observation, and finishing with revision. Notes that…

Argues that children are as deep as the ocean, with secret places inside of them waiting to be opened. Notes that it is powerful for students to learn they can make sense of the world through words, and describes inviting them into poetry as they read poetry, create poetry packets, and write and revise poems. (SR)

Describes organizing a poetry "slam" (a contest in which people read their original poems and listeners cast votes for their favorites) involving 200 eighth graders from two different schools. Discusses how this experience made vivid for students the need to write for an audience and to revise. (SR)

Maintains that the author's authentic voice as a writer is "constructed more than it is gushed." Describes how, when the author tinkers with words, when he shifts, cuts, changes, and arranges them to achieve certain effects, it isn't the writing only that he crafts: he is also crafting an identity. Notes how this applies to teaching…

Describes a project in which students in a seventh-grade English class were paired with university students in an English methods class, sharing weekly writing and responses via a computer network. Discusses how the project enhanced the teaching and learning opportunities for both sets of students. (SR)

Talks about the "writing from the heart" practiced in one sixth-grade classroom by students and teacher, for many different purposes. Describes instructional approaches that encourage such writing. (SR)

Describes how the author discovered practical, accessible ways of talking with her seventh and eighth graders about the considerations and decisions of fiction writers. Appends a fiction writing handbook. (SR)