In this era of high-stakes testing and densely packed state standards, it is too easy for writing to become a meaningless process, useful only for school. Many strategies can help to get all students writing, but this author set out to find a strategy to help students see the power of writing and to know that their voices matter. Writing groups…

This article chronicles how the process of reviewing and grading student written work became an integral part of a middle school teacher's writing workshop practice. In addition to discussing how reading student work can bring educators back to the heart of the profession (including the belief that spending time with drafts can reap more rewards…

When asked to discuss their middle school language arts classes, talented eighth graders identified concerns and made suggestions for their teachers. Students voiced desire for choices in selecting reading materials, writing topics and genre. They preferred having extended periods of time to engage in reading and writing activities, rather than…

The United States involvement in the Middle East has been prominent in our recent national history, sometimes clouded by myths and misrepresentations of the people of that region of the world. This article details the experiences of teacher-researchers working with teachers and students in Amman, Jordan, to develop powerful English writing…

Editing is a powerful tool for writers, but are our methods of teaching it really demonstrating that power for young adolescents? The author, frustrated with students' inability to edit, blames his own approach and, beginning with a grocery store epiphany, works to develop a more effective system. Elements of his successful approach include time…

Teachers are coming to understand the value of using a student's interests, habits, and questions as a starting point for instruction. In this article, Skinner introduces "Teenage Addiction," a voluntary seventh-grade after-school writing/popular culture club that helped students view popular culture through a critical lens and then write about…

Students who engage in the writing process learn to write. Period. And yet many teachers, including Lain when she was a beginning teacher, don't know how to make the time for it, how to structure it, and how to evaluate it. Here, Lain offers us the help we need by focusing on the teaching tools for introducing students to this format, the…

Through reading and reflecting on the words of Atwell, Rief, Moffett, and Graves, Maltese began to think like a teacher-researcher, and questioned her writing workshop practices. Once she began to consider audience as a motivating factor, writing became more meaningful for her students, encompassing a wide range of possibilities. Working from a…

Describes a six-week poetry writing workshop for an eighth-grade class. Discusses getting started, two weeks of immersion in reading poetry, students writing their own poetry, creating a community of poets in the classroom, evaluation, students' poetry, and what the teacher learned. Notes that students gained a much richer understanding of poetry.…

Argues that children are as deep as the ocean, with secret places inside of them waiting to be opened. Notes that it is powerful for students to learn they can make sense of the world through words, and describes inviting them into poetry as they read poetry, create poetry packets, and write and revise poems. (SR)

Describes a project in which students in a seventh-grade English class were paired with university students in an English methods class, sharing weekly writing and responses via a computer network. Discusses how the project enhanced the teaching and learning opportunities for both sets of students. (SR)

Describes the challenges and rewards of working with Amy (an eighth-grade girl considered autistic) in a team-taught language arts class that functions in the workshop format and that includes learners with special needs. Describes Amy's progress and setbacks, and notes the importance of the workshop format for her progress and for her teacher's…

Describes why and what happened when a teacher changed from viewing English teaching as a value-neutral act to teaching what matters to her. Relates what she expects from the reading and writing workshop and how raising her own voice in terms of her passions and what she values has strengthened students' voices. (SR)

Describes events of the Maine Writing Project Summer Institute. Notes that what happened in this past summer's institute can serve as a model for the ways poetry can be integrated throughout educators' work with students and throughout the lives of educators. (SG)

Describes a writing workshop for eighth graders that seeks to tap into the humor of their everyday lives, and that uses humorous literature and film to spark writing. (SR)