Although teachers and researchers frequently acknowledge that music education can benefit pupils' academic achievement, health and well-being, and social development, classroom music-making can have long-lasting, detrimental impacts. Individuals' experiences of failure, disappointment, and exclusion in the music classroom highlight an urgent need…

Self-efficacy is a key factor in performance success, yet little is known about how music educators nurture students' self-belief within studio and class music lessons. This study explored teachers' perceptions of pedagogical priorities in the development of self-efficacy. The goal was to understand how teachers intuitively nurture students'…

The culture of competition in music education is pervasive, reflecting the overall growth in standardization and accountability measures in education. With this study, I addressed the intersection of two underexamined topics in music education: teachers' experience with competitive ensemble events and the structural challenges of working in a…

The purpose of this study was to examine how four openly gay male music teachers in distinct US regions enacted Jose Muñoz's vision of queer futurity within their respective campus environments. Data included field notes from a minimum of six class observations and 59 interviews divided between teachers, administrators, instructional colleagues in…

The purpose of this collective case study was to explore the self-initiated reflective practices of early and late career inservice music teachers in a variety of educational settings. This research was guided by the following questions: (a) How do music teachers in a variety of settings and career stages describe the reasons they engage in…

Early-career music teachers are described in the literature as being in the first few years of the profession. This research explores the motivation, sense of value, and areas of stress affecting early-career music teachers in Australian secondary high schools. The research is a part of a larger qualitative study which contains a national survey…

In partnership with academics from McGill University and community arts partners, a high school in Montreal faced with significant challenges became an "urban arts school," offering music and visual art programs centered in youth culture, as well as integrating arts into several academic subjects. The initiative was inspired by the…

Informal pedagogy is closely associated with popular music practices, its methods known to engage students in authentic music learning that develops critical and independent thinking skills, social skills, creativity and self-identity, among others. However, formal and non-formal pedagogies also have relevant roles to play in popular music…

The purpose of this research was to examine LGBTQ-inclusive strategies used by practicing music educators in the United States. Participants (N = 300) in a nonprobabilistic sample completed a survey inquiring as to their comfort using LGBTQ-inclusive strategies in a school music class, their perceptions of barriers to LGBTQ inclusion, and whether…

There is substantial evidence in the literature to support the claim that teachers' values and beliefs have a powerful effect on their teaching practice, and that these shape students' experiences of music learning. However, little attention has been paid to the forces by which these values and beliefs are shaped, and, more importantly, how more…

This article builds from a multi-sited ethnographic study on immigrant students' musical agency, conducted in three lower secondary school classrooms in the capital cities of Finland, Sweden and Norway. The focus of the article is twofold, and concerns what kinds of meanings the participating students ascribed to the music from their own or their…