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Niknafs, Nasim – Philosophy of Music Education Review, 2021
The commitment to all things democratic in educational spheres has inspired and generated much contemporary conversation in music education scholarship. Aside from demonstrating the possible discrepancies between what democratic ideals in education pledge to do and how they are materialized in learning situations, at least on the theoretical…
Descriptors: Music Education, Democracy, Citizenship, Criticism
Powell, Sean Robert – Philosophy of Music Education Review, 2021
This paper presents an argument that social theory has valuable roles to play in music education research and philosophy. I first discuss how theory can enhance and strengthen empirical work--and provide insights and connections that abstracted empiricism alone cannot. Then, I argue that social theory--developed, extended, and advanced through…
Descriptors: Social Theories, Music Education, Educational Philosophy, Role
Abramo, Joseph Michael – Philosophy of Music Education Review, 2017
Participation in competition festivals--where students and ensembles compete against each other for high scores and accolades--is a widespread practice in North American formal music education. In this article, I use Marx's theories of labor, value, and phantasmagoria to suggest a capitalist logic that structures these competitions. Marx's…
Descriptors: Competition, Music Education, Theories, Scores
Woodford, Paul – Philosophy of Music Education Review, 2014
This paper is an invited response to a one published by David Elliott in The Music Educator in 2012 in which music teachers were enjoined to encourage children to use music's expressive power as a political tool in pursuit of social justice. While in agreement with him that this can be an appropriate use of music, there is a curious avoidance…
Descriptors: Music Education, Reader Response, Social Justice, Advocacy
Dobbs, Teryl L. – Philosophy of Music Education Review, 2013
In this essay I explore problems of pedagogy related to Hans Krása's "Brundibár" by drawing heavily upon the thinking of two divergent theoretical perspectives regarding Holocaust testimony as advanced by Giorgio Agamben (2002) and Shoshana Felman (1992). I theorize that lodged within a space of difficult knowledge coalesced through…
Descriptors: Music Education, Theories, Violence, Trauma
Jorgensen, Estelle R. – Philosophy of Music Education Review, 2011
This essay examines Alfred North Whitehead's claim that education should be construed as religious, and by extension, that music education should be religious. The analysis of questions relating to Whitehead's understanding of the notion of "religious," the defensibility of his claim, and its implications for notions of spirituality and…
Descriptors: Music Education, Music, Religious Factors, Religion