A hierarchy of auditory processing developed by Derek Sanders for use in developing sequential objectives for musical listening skills serves as the basis for this article. Because of the similarities between components of speech and music, the hierarchy is congruent with musical listening expectations. While this model was designed for the…

This paper presents research surveying the responses of university students enrolled in music classes for nonmusic majors with regard to several aspects of required concert attendance. Groups of subjects (n=258) enrolled in courses with required concert attendance were compared to those in courses without such a requirement. Results indicated that…

This paper reports on a study that sought to determine some of the causes to which undergraduate students attribute success or failure in music. Subjects were 43 music majors and 62 nonmusic majors enrolled in several sections of a beginning level guitar class. Subjects were administered the Asmus Music Attribution Orientation Scale (MAOS) and…

By keeping abreast of the latest research in the field, music educators can better understand how practicing helps students to use practice methods that are the most effective. The purpose of this study was to determine the relative effectiveness of modeling and silent analysis on the performance ability of advanced elementary school…

This article presents findings from the literature and professionals of music education concerning the characteristics of problem singers, the manifestations of the problem, suggested causes of poor singing, and possible procedures for correcting the problem. It also attempts to determine any parallels between existing research findings and…

Band, orchestra, and choir festival evaluations are a regular part of many secondary school music programs, and most such festivals engage adjudicators who rate each group's performance. Because music ensemble performance is complex and multi-dimensional, it does not lend itself readily to precise measurement; generally, musical performances are…

The view of musical creativity as spanning a continuum from the noises of the unschooled young child to the artistry of the trained professional fails to account for fundamental, developmental differences in the creators' perspectives. This paper seeks to distinguish two ways in which the creative functioning of the child or novice differ from…

The purpose of this study was to determine the effect of different practice conditions upon technical accuracy and musicality of student instrumental performance. High school instrumental students attending summer music camps at the Florida State University were randomly assigned to one of three different practice groups: (a) teacher-designed…

This purpose of the study was to examine music achievement of elementary general music students in relationship to teacher behaviors as measured by the Florida Performance Measurements System (FPMS), a research-based system for the evaluation of generic teacher behaviors and a Music Behavior Observation Form (MBOF), an investigator-devised form…

The purpose of this study was to examine the use of a visual prompt placed within an actual music teaching situation to effect changes in the frequency of teacher antecedents (spoken questions and statements), the quality of those antecedents (appropriate and inappropriate questions), and the frequency of teacher consequents (spoken approvals).…

The purpose of this study was to investigate the effect of high versus low teacher affect and active versus passive student activities during music listening on high school students' attending behavior. Ninth-, 10th-, 11th-, and 12th-grade general music students (N=26) from two different high schools participated in four short listening lessons.…