With particular reference to Changsha, China (recognised as a UNESCO creative city in 2017), the purpose of the present study was to examine the under-researched relationships between music types, music activities, and sources of creativity in school music learning as perceived by adolescent students. Between October 2019 and May 2020, data were…

Twenty years have passed since Green's [2002. "How Popular Musicians Learn: A way Ahead for Music Education." Aldershot: Ashgate] publication which proposed a model of informal learning based upon five key principles. The discussion it ignited within the discipline was vast, the debate is still on-going, and the approach is still being…

Experiential learning is one of the main characteristics found in the new Cypriot curriculum. The aim of this paper is to investigate teachers' implementation of experiential learning in their music classrooms and their students' perceptions of the new Cypriot music curriculum in relation to experiential learning. Interviews with eight music…

With particular reference to Beijing, China, this study adopts mixed-method research to focus on Grades Seven to Nine students' perceptions of how parental cultural capital and support influence their musical instrument learning. Framed by Bourdieu's theory of cultural capital, two research questions are addressed in this article: (1) How do…

What makes a great music teacher? What are those characteristics, qualities, personality traits, behaviours, attitudes, skills, knowledge, approaches that make him/her different from the average music teacher? The present study investigates the profile of the ideal music teacher through the lens of secondary school students and music teachers. 518…

The seminal conceptualisation of the varying forms of authorship associated with different creativities developed as social practices has deep implications for research into music education in secondary schools. One such type is 'participatory creativity', which is explored through a cross-cutting secondary school study. Aimed at the creation of a…

Participatory performance, as defined by Thomas Turino, holds the potential to contribute to enhanced social bonding, cooperation, and the realisation of community among participants -- despite the conflict or 'paradox' between self-expression and collective affiliation which it often provokes. This study considers how managing this underlying…

This study examined 44 students' engagement in the composition of popular and classical music in a computer-mediated environment. The study took place over the course of one school year at a government-funded secondary school in Hong Kong that had 30 iMac music workstations. Participants were 22 Form 3 students (aged 14-15) and 22 Form 4 students…

Earlier research has stated that there is a risk that traditional gender roles are conserved in non-formal popular music education, which might challenge teachers when it comes to offering equal learning opportunities. This article presents results from an interview study regarding the situation of female electric guitarists in popular music…

The purpose of this convergent parallel mixed methods study was to explore changes in levels of intercultural sensitivity after a group of early adolescent students participated in a high--immersion, culturally diverse music curriculum intervention. "Intercultural sensitivity" was conceptualised through Bennett's Developmental Model of…

Twenty-nine pupils (aged 8-15) took part in an improvisation test and an experimental vs. control group teaching session. The aim of the improvisation test was to explore whether participants had knowledge about the use of expressive cues to convey basic emotions in improvisations. Assessments of the improvisations by four adjudicators indicated…

Previous research on adolescents and singing has focused on understanding the physiological changes in the voice during the age range 11-16 [Cooksey, J. M., and G. F. Welch. 2008. 'Adolescence, singing development and national curricula design.' British Journal of Music Education 15 (1): 99-119], and addressing the lack of male participation in…

Does extended music education during primary school foster long-term musical participation? What other factors contribute to long-term musical participation? In our study on "Impacts and Long-Term Effects of Musical Participation," we investigate how the German programme "An Instrument for Every Child (JeKi)," which fosters the…

Persuasive arguments have been made for the existence of pedagogical discourses that invoke gender as a factor in the ascription of quality to musical compositions, and previous research has shown that some music teachers ascribe "maleness" to the characteristics that they regard as markers of high quality. Drawing upon Lucy Green's…

This study was carried out within the framework of a pedagogical project. It compares the results obtained from the application of two different didactic models for learning and practicing musical composition in a Secondary Education class: the traditional teacher centred method (designated as the control group, CG), and an interdisciplinary model…