This investigation replicates previous research into K-12 students' responses to mid-20th-century art music. The study extends that research to include undergraduates and graduates as well as an additional group of graduate students who had taken a 20th-century music class. Children's responses showed remarkable consistency and indicated that…

The purpose of the present investigation was to investigate music students' tempo changes of a soloist's performance in an excerpt from Mozart's "Concerto No. 1 in D Major for Horn and Orchestra." We then compared the composite rubato pattern to tendencies found in a previous investigation using Mozart's "Concerto No. 2 in E[flat] Major for Horn…

The authors classified citations included in papers presented at 10 International Society for Music Education (ISME) biennial International Research Commission Seminars across an 18-year period (1988-2006) based on the six world regions as specified by the ISME Research Commission. Citations (N = 4,535) were examined from 238 papers presented at…

Attention to subtle changes in music, whether inadvertent or purposeful, occupies a great deal of practice and rehearsal time for the performer. Regardless of the extremely subtle acoustic changes that have been found to be perceptible within almost all studies, it is the total overall effect that most occupies the individual listener. This study…

A continuing line of research indicates that focus of attention is perhaps the most important attribute of actively participating in meaningful music listening and a model accounting for these findings has been developed. Music teachers are especially concerned with meaningful listening when having students discern important elements or attributes…

We investigated the effect of legato and staccato articulation styles on the perception of modulated tempos. Ninety music majors served as participants. Listeners heard music examples that had been selected from two pieces, each of which included staccato and legato passages. Excerpts were presented to listeners in three conditions of tempo…

Both musicians and nonmusicians identified correctly the examples of decreased pitch levels significantly more than pitch increase examples. However, tempo increase examples were identified more accurately than tempo decreases by each group. (Author/RM)

Examines whether undergraduates differ from graduates in making transfers from a class in behavioral techniques in music teaching to their own lives and professions. An essay on moral issues serves as the basis for this comparison. Elaborates that although further research is needed, undergraduates are as successful as graduates in making these…

Investigated the tempo note preferences of 100 randomly selected college-level musicians using familiar orchestral music as stimuli. Subjects heard selections at increased, decreased, and unaltered tempi. Results showed musicians were not accurate in estimating original tempo and showed consistent preference for faster than actual tempo.…

Music therapy and music education majors' perceptions of teacher approval/disapproval given to elementary students were assessed. There were significant differences between the two groups regarding the perceived use of teacher time, with music education students estimating a significantly greater amount of time devoted to approval. (Author/RM)

The objectives of the study were to determine (1) whether contingent music listening would significantly increase correct responses to mathematical problems compared to other activities and reinforcers, and (2) whether there are significant differences between the reinforcing effects of two types of music listening activities. (Author)

Two studies investigated (1) the degree to which college students who were not music majors were able to discriminate identical melodies when extremely similar melodies were interpolated between test and recall melodies and (2) differences that might be attributed to either modal (major-minor) or meter (simple-compound) presentations. (Author/SR)

Reports the results of a study that investigated patterns of judgmental discriminations and preferences with regard to tone quality versus intonation of accompanied flute and oboe duet performances of simple melodies among music and nonmusic graduate and undergraduate students. (AM)

This study of a third-grade class investigated two academic rewards as contingencies for correct math responses: receipt of books and viewing of televised music lessons. Results indicated that both types of rewards functioned to increase math performance. The televised lessons also lead to gains in music knowledge. (Author/SJL)

Presents the results of a study where musicians listened to 20 minutes of Puccini's, "La Boheme," and indicated which of the five musical elements (melody, rhythm, timbre, dynamics, or everything) commanded their attention. Two groups responded using differing instructions for the Continuous Response Digital Interface. Analyzes the different…