Zadok Adolu-Otojoka (b. 1932) is one of the prominent music educators and professional performers in the recent history of arts education in East Africa. A Ugandan by nationality, Adolu-Otojoka has served in different professional capacities as music educator, opera singer, folk musician, dancer, composer, and education/culture administrator, at…

The presence of popular music education in schools has expanded significantly in the past two decades within the United States in part due to the expansion of modern band programming. Initially developed and propagated by the non-profit organization Little Kids Rock (LKR), modern band is a term used to describe school-based ensembles that use…

The purpose of this study is to explore the life and work of Pierre Sancan (1916-2008), an exemplary piano teacher who, like many masters in the apprenticeship tradition, is chiefly remembered today by his pupils alone. An all-round musician, Sancan had early success as a composer when he won the Prix de Rome in 1943, and enjoyed a flourishing…

This study investigated the development of marching band traditions at Historically Black Colleges and Universities (HBCUs), as told through the rivalry between Southern University (SU) and Jackson State University (JSU). I interviewed directors from SU, including Lawrence Jackson, Nathan Haymer, and Kedric Taylor. Directors from JSU included…

Desegregation in the south had many goals, among them was creating equitable opportunities for students in schools. Much of the literature on desegregation efforts are focused on general education and little research has been done on the effects it had on school orchestra programs. Orchestra programs in Texas schools have had a historically strong…

The focus of this study is the early music education of Charlie Gabriel who learned to play jazz as a child in New Orleans and went on to enjoy a successful, international performance career. The work is based on an oral history account where the primary data collection process was interview. The key issues that emerged from the oral history are…

Anthony Johnson Showalter (c. 1853-1924) was a music educator, gospel composer, publisher, and considered a pioneer in gospel music and education in the late nineteenth century and early twentieth century. Showalter is notably mentioned in numerous texts and studies related to gospel music; however, little data has been collected regarding the…

The purpose of this study was to examine the sociocultural roots of folk songs from the perspective of renowned folklorist Henry Glassie. Dr. Henry Glassie holds the rank of Professor Emeritus at Indiana University, where he previously served on the faculty for the Department of Folklore and Ethnomusicology. Primary sources included Glassie's…

James R. Wells, retired professor of West Chester University in West Chester, Pennsylvania, could be considered one of the most influential and innovative band directors of the late twentieth century. Wells influenced and mentored many current leaders in the music education field as well as created educational music programs that continue today.…

The purpose of this study was to explore and document "The Way Man Learned Music" (1927), a method written by lawyer, Marine captain, educator, and political leader Robert Watson Claiborne (1888-1966). Drawing influence from Ernst Haeckel and G. Stanley Hall's theories of recapitulation, Claiborne designed a comprehensive and sequential…

The purpose of this investigation was to provide a thorough documentation of the life and career of William F. Cramer. William Cramer was professor of trombone at the Florida State University for more than thirty-five years. He was a master teacher, musician, and scholar. His students remember him fondly as a grandfatherly figure whose teaching…

The purpose of this study is to construct a concise historical narrative of the development and characteristics of African American styles of marching band. While some extant research studies have been published in this area of study, the focus has been primarily on individual exemplary teachers or university band programs. In this article, much…

This study examined the history of band tournaments governed by the Michigan State Band Association (MSBA), beginning with the first competition in 1877 and ending with the disbandment of the Association and tournaments in 1884. The research focused specifically on the (a) organization, rules, and procedures of the tournaments; (b) details…

Segregated schooling in Florida was initially a concession to gain public acceptance of free public education. Its effects can be seen in the band programs of many high school bands. This study looks at the effects of segregation and integration on bands at black high schools in Jacksonville, Florida (Duval County Public Schools). Much of the…

In 1947 T. Carol Agee resurrected the Fort Collins High School Orchestra (FCHS) program after his return from WWII, and became the first music teacher to be hired as the full-time orchestra director at the school. He quickly created a "storied" program in the state of Colorado culminating, for him, in a 1955 Colorado Music Educators…