In this study, eight English professors thought aloud as they read four lyric poems and composed a short text proposing a hypothetical talk about them for a professional conference. The study used a crossed design in which participants read a poem in each of the following conditions: familiar to them and close to their professional writing, familiar and far, unfamiliar and close, unfamiliar and far. When reading familiar poems, participants produced longer protocols and more elaborate interpretations. When planning their conference talks, participants produced longer protocols for poems that were far from their professional writing as they struggled to access sufficient background knowledge. Participants attempted to say something "new" about the poems, and they closely monitored the limits of their knowledge. These results suggest that English professors, just like experts in other disciplines, develop both "generic" and "specific" expertise. Implications for expertise research, literature instruction, and academic literary scholars are considered. (Contains 2 tables.)