Whether creativity can be taught or not has remained an unresolved and recurring topic of debate in creative writing. Writing that is creative and imaginative is distinguished from translation, which is more derivative. However, both activities are creative in their own unique ways. With the intent of fostering creativity in creative writing, I…

This article investigates the teaching of rhetoric as a discrete discipline within the curriculum of Tudor-era English grammar schools (such as the King's New Grammar School in Stratford-Upon-Avon, where William Shakespeare is believed to have been educated). It examines more recent attempts to advocate for the value of rhetoric as a unifying…

Recent reforms to Initial Teacher Education in England are a continuation of a decades-long political project, aiming to change the whole social complex around teachers' professional education. But the most recent frameworks present some new inflections to the construction of learning, pedagogical relationships and difference. Positivist versions…

There is a growing consensus that the study of literature in English secondary schools is suffering a crisis: a fixation with knowledge and facts, a loss of creativity, and a denigration of students' own experience, to name a few. This article argues that this is, in part, a result of the conception of culture embedded in the current National…

This essay explores the creativity and learning that can take place when students are given the opportunity to go beyond the GCSE set poems and create their own poetry anthologies. I argue that in the process of creating a poetry anthology, students are encouraged to engage on a deeper and more personal level with poetry. I suggest that when…

This essay draws from the experience of observing writing practices in English lessons from 2010-2019, to suggest that the influence of education policy during this phase prioritises preparation for examination questions above the imperatives of learner creativity or volition. Through discussion of ways in which the 'high stakes' examination…

This work draws from a larger research project that centres a youth summer writing programme. In this article, the author recounts the multiliteracy experiences of a white student who found creative strategies to document her identity and values in her work, as she learned to navigate a learning environment that decentered whiteness. Two…

This paper examines the notion of creativity as a core concept in English teachers' knowledge and valuing of their subject. It draws on research from a broader investigation into teachers as writers and discusses one of the key findings of the study: that creativity is not only crucial to how teachers approach their pedagogy and subject content,…

Just after the First World War the English Association published The Teaching of English in Schools. It argues that developing children's 'creative spirit' is fundamental to maintaining peace in Europe. Seventy years later, the first National Curriculum promotes a creative, unitary English appropriate for 'a European context'. In contrast, today's…

In evaluating some of Heaney's prose writings about the art of poetry -- what I have called his 'Poetics' -- the paper explores how those ideas could enhance the teaching of poetry in the upper post-primary schools. The paper is divided into four closely interconnected sections. The first section evaluates Heaney's thoughts about the potential…

I explore a series of incidents in my English classroom, which occurred while I was preparing my students for their high-stakes GCSE English Language exam ('Paper 2: Writers' viewpoints and perspectives'). I thereby attempt to confront some of my own failings and biases with regard to non-fiction and the teaching of persuasive writing in…

This paper explores a three-year Creative Professional Development programme for teachers which encourages them to develop their skills as writers and illustrators in order to bring creative and original ideas about writing and illustrating into their classroom practice. The implicit message within such a programme is that without it, teachers,…

This article offers a case study account of a garden-themed poetry writing project run by a creative writing organisation in partnership with a class of 9-10-year-old children from a London primary school. I explore the concept of creativity which framed the five-week project and analyse the different ways in which the creative practitioner worked…

Fox argues that the poetic function of language fulfils the human need to symbolise. Metaphor, simile and analogy provide examples of the ways in which symbolic language can be used creatively. The neural representations of these processes therefore provide a means to determine the neurological basis of creative language. Neuro-imaging has…

This article uses the findings from an empirical study on Hong Kong students' reading practices as collected through face-to-face interviews on major university campuses in Hong Kong to argue for the importance of "affective" and "imaginative" engagement with literary texts if students are to develop an interest in reading.…