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Lee, Daniel; Baker, William; Haywood, Nick – Australian Journal of Music Education, 2019
Research suggests graduates from music courses in Australian tertiary institutions typically undertake portfolio careers that include a combination of performing and teaching. Both of these activities could have ongoing artistic ripple effects on the musical communities the graduates inhabit. This paper reports on a qualitative post-graduate…
Descriptors: Foreign Countries, Music Education, Teaching Methods, Popular Culture
Stanhope, Jessica – Australian Journal of Music Education, 2018
Background: University woodwind students commonly experience playing-related injuries, however little is known about musicians' beliefs and attitudes regarding playing-related injuries. Objective: To investigate the beliefs and attitudes of university woodwind students regarding playing-related injuries, and the prevention strategies they use.…
Descriptors: Music Education, College Students, Student Attitudes, Musical Instruments
Anderson, Alan; Northcote, Maria – Australian Journal of Music Education, 2018
Technological advances in digital video and videoconference technology around the early 2000s led a number of researchers to investigate the practicalities of using videoconferencing technology for instrumental music teaching in online and blended learning contexts. Technical and instructional strategies were developed and recommendations made…
Descriptors: Videoconferencing, Teaching Methods, Music Education, Blended Learning
Stevens, Robin S. – Australian Journal of Music Education, 2018
The use of Information and Communication Technology (ICT) as a tool for teaching and learning both in Australia and overseas is now very much taken for granted across all areas of learning and at all levels of education. But how did this addition to the range of pedagogical means and methods employed in music education come about? This article is…
Descriptors: Teaching Methods, Music Education, Technology Integration, Historians
Blackburn, Alana – Australian Journal of Music Education, 2017
Online education is becoming prevalent across the higher education sector and requires new approaches to teaching and learning. As music is seen as a 'hands on' discipline, there has been a very gradual move toward the use of online technologies in music teaching in tertiary education, especially in the area of performance studies. By surveying…
Descriptors: Foreign Countries, Music Education, Online Courses, Electronic Learning
Forbes, Melissa – Australian Journal of Music Education, 2016
This article reviews relevant literature to provide a rationale for the use of collaborative learning for first year music practice courses at an Australian regional university. Higher music education is still grappling with the challenges posed by the Dawkins Review and ongoing reforms in the sector. These challenges include increased public…
Descriptors: Cooperative Learning, Music Education, Higher Education, Foreign Countries
Arthur, Patricia; Khuu, Sieu; Blom, Diana – Australian Journal of Music Education, 2016
The metronome is a frequently used time-keeping tool in music instrument practice. However, if its speed is set beyond a comfortable level for the performer, their eye movement (EM) patterns can betray pressure that might have been placed on the visual processing system. The patterns of the eyes moving forward or back, (saccades); when the eye…
Descriptors: Teaching Methods, Music Education, Eye Movements, Musical Instruments
Voss, Brett – Australian Journal of Music Education, 2016
Education in a contemporary context increasingly requires students to engage with learning technologies. This can present a challenge to both students and teachers who at times struggle to engage with the technical processes involved in navigating these technologies. Outside of formal education settings, on-demand information facilitated through…
Descriptors: Music, Music Activities, Music Education, Production Techniques
Joseph, Dawn – Australian Journal of Music Education, 2016
Australia is forged by ongoing migration, welcoming a range of cultures, languages and ethnicities, celebrating a diverse range of the Arts. In this multicultural society, music and dance may serve as a positive medium to transmit and promote social cohesion. I argue that the inclusion of innovative and immersive practice of African music in…
Descriptors: Cultural Pluralism, Music Teachers, Foreign Countries, African Culture