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Good-Perkins, Emily – Philosophy of Music Education Review, 2021
The examination of racist, normalized ideology within American education is not new. Theoretical and practical conceptions of social justice in education have attempted to attend to educational inequality. Oftentimes, these attempts have reinstated the status quo because they were framed within the same Eurocentric paradigm. To address this,…
Descriptors: Music Education, Culturally Relevant Education, Racial Bias, Ethnicity
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Scarlato, Mya Katherine Magnusson – Philosophy of Music Education Review, 2021
This essay explores performance-driven aspects of U.S. bands in the contexts of Pierre Hadot's Philosophy as a Way of Life, Lewis Carroll's Alice's Adventures in Wonderland, Jacques Derrida's Aporias, and the author's experience teaching both elementary general music and beginning band. The author wonders what band education might look like when…
Descriptors: Musical Instruments, Music Activities, Musicians, Elementary Education
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Prest, Anita; Goble, J. Scott – Philosophy of Music Education Review, 2021
In this paper, we explore challenges in conveying the culturally constructed meanings of local Indigenous musics and the worldviews they manifest to students in K-12 school music classes, when foundational aspects of the English language, historical and current discourse, and English language habits function to thwart the transmission of those…
Descriptors: Indigenous Knowledge, Music Education, Elementary Secondary Education, Cultural Influences
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Lu, Mengchen; Tan, Leonard – Philosophy of Music Education Review, 2021
In 1952, John Cage wrote "4'33"" which famously asked the performer not to play a single note: "tacet." This provocative work raises a number of questions. In music--and by extension, music education--what does it mean to not do something? What does it mean to make no sound? More fundamentally, what is the nature of…
Descriptors: Music Education, Philosophy, Acoustics, Teaching Methods
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Hess, Juliet – Philosophy of Music Education Review, 2021
Music educators and music education researchers often rely on the use of story when advocating for social change. We may use story to illustrate a need for resources, point to a systemic injustice, illustrate a need for policy change, or identify an exclusion. Allies often utilize stories of oppression to demonstrate the untenability of situations…
Descriptors: Story Telling, Social Justice, Music Education, Educational Change
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Krönig, Franz Kasper – Philosophy of Music Education Review, 2021
What forms of practices can we observe in music education settings? Is it always music just because there are instruments in the room and some sounds are produced or because we can identify some pieces of a musical work now and then? Or is it because the children are engaged in self-determined activities? Or does the verbalization of behavior in…
Descriptors: Music Education, Misconceptions, Music Teachers, Teaching Methods
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Karlsen, Sidsel – Philosophy of Music Education Review, 2021
The aim of this article is to analyze and discuss the role that sociological theory plays in music education scholarship. Using books published internationally and explicitly on the topic of the sociology of music education during the recent decade as well as abstracts published in the programs from the 2017 and 2019 International Symposium on the…
Descriptors: Educational Sociology, Educational Theories, Social Theories, Music Education
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Bates, Vincent C. – Philosophy of Music Education Review, 2021
Bourdieu developed his theory of cultural capital, in part, to help explain why school achievement for students from lower income families is persistently below that of their wealthier peers. His theory has been applied and extended throughout the world, especially in capitalist countries where economic disparities prevail. Although it risks…
Descriptors: Music Education, Cultural Capital, Low Income Students, Economically Disadvantaged
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Niknafs, Nasim – Philosophy of Music Education Review, 2021
The commitment to all things democratic in educational spheres has inspired and generated much contemporary conversation in music education scholarship. Aside from demonstrating the possible discrepancies between what democratic ideals in education pledge to do and how they are materialized in learning situations, at least on the theoretical…
Descriptors: Music Education, Democracy, Citizenship, Criticism
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Powell, Sean Robert – Philosophy of Music Education Review, 2021
This paper presents an argument that social theory has valuable roles to play in music education research and philosophy. I first discuss how theory can enhance and strengthen empirical work--and provide insights and connections that abstracted empiricism alone cannot. Then, I argue that social theory--developed, extended, and advanced through…
Descriptors: Social Theories, Music Education, Educational Philosophy, Role
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Abramo, Joseph Michael – Philosophy of Music Education Review, 2021
In this essay, I explore the recent cultural and epistemological turns in sociological music education research. Changes in the economy--and most specifically in the modes of production aided by changes in technology--provide a frame for understanding the cultural and epistemological turns within music education research in sociology. The economy…
Descriptors: Music Education, Educational Sociology, Educational Research, Marxian Analysis
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Louth, J. Paul – Philosophy of Music Education Review, 2020
For decades, education has been inundated with neoliberal policies described as enabling its structures to adjust to a global knowledge economy. Located at the intersection of such "reform" language and classical liberal economic theory is a troubling paradox--the idea that knowledge should be centrally concentrated in order to…
Descriptors: Neoliberalism, Knowledge Economy, Educational Philosophy, Music Education
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Bradley, Deborah – Philosophy of Music Education Review, 2020
In this paper, I explore the question: What would it mean for history to be understood as the history of trauma? First implied by Sigmund Freud (2003/1920) in "Beyond the Pleasure Principle," and later taken up the Cathy Caruth (1991, 1993, 1996), the question has broad implications for music education. The nature of trauma as an enigma,…
Descriptors: Trauma, History, Music Education, Violence
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Churchill, Warren N.; Bernard, Cara Faith – Philosophy of Music Education Review, 2020
How might identity and identity politics inform music teachers' practices and assumptions about disability? In this article, we engage in a critical discussion about how music educators might respond to disability. This article is presented in three parts as a collaborative dialogue between the two authors, using the landscape of identity politics…
Descriptors: Ideology, Disabilities, Ability, Identification (Psychology)
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Tan, Leonard – Philosophy of Music Education Review, 2020
In this paper, I offer my reading of John Dewey's Art as Experience and propose implications for music education based on Dewey's ideas. Three principal questions guide my task: What are some key ideas in Dewey's theory of art? How does Dewey's theory of art fit within his larger theory of experience? What are the implications of Dewey's ideas for…
Descriptors: Music Education, Educational Philosophy, Educational Theories, Art
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