In the fall of 2012, the University of Tampa dance program proposed its first dance major. The vision was to build a unique curriculum that would strengthen our approach to teacher training and offer the tools to teach a wide variety of populations. Much of the inspiration for this approach came from our training with Anne Green Gilbert, the…

Our research examined the student-athlete experience for university dancers transitioning from studio-based competitive dancing to the competitive university context. This experience was explored in a photovoice project with 12 dancers on a competitive university team in Southern Ontario. Collectively, the researchers and dancers established three…

This paper examines the link between cognitive processes and superior performance in contemporary dance. In the first study, thirty-six participants (professional dancers, nonprofessional dancers, and non-dancers) carried out a task in which they were asked to reproduce a sequence of dance steps while being recorded on a camcorder. Analysis…

This study examined the impact of an in-school dance curriculum on the social-emotional development of at-risk preschoolers in a southern California public preschool program. The preschoolers (N = 69) participated in dance for thirty minutes, once a week, over an entire academic year. We compared the Desired Results Developmental Profile (DRDP)…

This article examines how the philosophy of Ubuntu is reflected in assessment and feedback provision systems of Indigenous dance education in African communities. In environments where urbanization, globalization, digitalization, and existing traces of colonialism are contesting Indigenous epistemologies, examining how communities value and…

Ensemble Thinking (ET) is a toolkit of movement scores developed by dance-maker Nina Martin in the 1980s in New York City. The scores of ET arose out of a confluence of Martin's choreographic and improvisational performance practices. The impetus for developing ET was to develop a technical language for creating and discussing improvised dance.…

Ballet dancers are exposed to the high likelihood of lower extremity injury due to repeated high-impact jumps under stringent ballet rules. The injury incidences occurring in dancers during jump landings are highly associated with excessive vertical ground reaction forces (vGRF) and the sharp loading rate (LR). The aim of this study was to compare…

Community engagement has become an increasingly prevalent part of dance education. This study responds to the need for additional research on community engagement activities in private sector dance studios in the United States. Using a combined qualitative and quantitative approach, we provide an in-depth look into the current types of community…

Multicultural and intercultural dance practices are a by-product of the ever-increasing flow of people across national and cultural boundaries. The increasing presence of Latinx dances in Aotearoa New Zealand has resulted from the migration of Latinx people who celebrate, create, perform, and teach these dance traditions as teachers, performers,…

Practitioner Exchanges (PXs) at Luna Dance Institute are casual community conversations co-facilitated by dance educators around a topic of dance teaching inquiry. With the physical disconnection of the COVID era, these in-person roundtables shifted to Zoom, and became even more essential in bringing teaching artists together. Educators from all…

Since 2011, Malaysia has witnessed the emergence of Bharatanatyam performers who are not of Indian ethnicity, groomed through dance studies at Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA), a tertiary arts institution assessable to students of all ethnicities. The performance of Bharatanatyam, including the completion of the Arangetram, for…

Focusing on Sri Lankan dance and placing it on the broader spectrum of South Asian dance, I propose a pedagogical process that engages critically with colonial past and present realities, a pedagogy that I term decolonial choreography. A South Asian dancer born and bred in Sri Lanka, I studied and performed the Kandyan dance of Sri Lanka and the…

Archiving is a process of organizing and creating content for sustainable, long-term access. However, the "archivists" actively shape the content in the realm of the performing arts, which often involves adding a new layer of knowledge to the original artform. This article explores the archiving of a ballet repertory course conducted in…

Dance teachers are ideally positioned to implement safe dance practices and injury prevention strategies for their students. However, to date, it is unclear whether these safe dance practices are being utilized and implemented by teachers in dance schools and private studios. To this end, we aimed to understand dance teachers' knowledge, beliefs,…

The whole person is a valued part of their dance community, and a healthy community plays an important role in the individual dancer's self-identity and social, psychological, and overall health. As a dance community, we need to do everything we can to help increase body positivity through empathetic and empowering methods that bring everyBODY…