NotesFAQContact Us
Collection
Advanced
Search Tips
Audience
Laws, Policies, & Programs
Assessments and Surveys
Minnesota Importance…1
What Works Clearinghouse Rating
Showing 1 to 15 of 298 results Save | Export
Peer reviewed Peer reviewed
Direct linkDirect link
Johnstone, Ann Barbara – British Journal of Music Education, 2019
This paper presents the results of a study (Johnstone, 2016) which investigated the nature of professional collaboration between the visiting instrumental teacher and the primary school class teacher in the Wider Opportunities instrumental programme. The potential for exchanging knowledge appears to be significant when the visiting instrumental…
Descriptors: Teacher Collaboration, Music Teachers, Music Education, Elementary School Students
Peer reviewed Peer reviewed
Direct linkDirect link
Fautley, Martin; Kinsella, Victoria; Whittaker, Adam – British Journal of Music Education, 2019
The Whole Class Ensemble Tuition (WCET) is a model of teaching and learning music which takes place in many English primary schools. It is a relative newcomer to music pedagogy in the primary school. In the groundbreaking study reported in this paper, two new models of teaching and learning music are proposed. These are (a) "Music education…
Descriptors: Music Education, Music Activities, Teaching Methods, Learning Processes
Peer reviewed Peer reviewed
Direct linkDirect link
Huber, Anna – British Journal of Music Education, 2019
The purpose of this study was to examine the role of the parent as a supporter of practice during a whole-class beginner violin programme and whether it is considered most beneficial for practice to be undertaken at home, at school or in no formal manner. This mixed-methods research project involved a year-group of 31 pupils aged 6-7 years from a…
Descriptors: Parent Role, Music Education, Musical Instruments, Elementary School Students
Peer reviewed Peer reviewed
Direct linkDirect link
Fautley, Martin; Daubney, Alison – British Journal of Music Education, 2019
The whole class ensemble tuition (WCET) programme in English schools is a somewhat singular and relatively recent arrival onto the teaching and learning scene. It arose from a remark made by an English politician and has grown from there into becoming a regular feature in the music education landscape in primary schools. It has elements which will…
Descriptors: Music Education, Music Activities, Program Descriptions, Public Officials
Peer reviewed Peer reviewed
Direct linkDirect link
Anderson, Anthony; Barton-Wales, Sarah – British Journal of Music Education, 2019
Musical cultures in primary schools are influenced by motivators which include intrinsic and extrinsic factors. Whole Class Ensemble Teaching (WCET) as realised through provision from Music Education Hubs in England is an extrinsic factor which has been widely influential. This article explores the dynamics in play in parental engagement in music…
Descriptors: Foreign Countries, Music Education, Parent Participation, Parent Role
Peer reviewed Peer reviewed
Direct linkDirect link
Hallam, Susan – British Journal of Music Education, 2019
In 2001, the government in England pledged in the white paper Schools Achieving Success that all primary school pupils who wanted to should have the opportunity to learn to play a musical instrument. The research reported here aimed to establish what contributed to the success of the implementation of this policy. The findings showed that success…
Descriptors: Foreign Countries, Elementary School Students, Music Education, Musical Instruments
Peer reviewed Peer reviewed
Direct linkDirect link
Cain, Melissa; Walden, Jennifer – British Journal of Music Education, 2019
This paper examines the practice of five music educators in Canada and Australia who, despite the pervasiveness of ingrained Western-based pedagogy in these countries, are forging ahead with culturally diverse music programmes. Their work is presented as five 'snapshots of practice' which provide inspiration and conceptual ideas for other teachers…
Descriptors: Music, Music Education, Music Teachers, Foreign Countries
Peer reviewed Peer reviewed
Direct linkDirect link
Ivaldi, Antonia – British Journal of Music Education, 2019
Research on teachers' assessments of students' playing within music lessons has mainly focused on verbal (spoken) evaluations of their learning. However, closer exploration of these interactions shows that embodied assessments, that is, those that also include non-verbal, multi-modal features as part of the interaction, are found to be…
Descriptors: Music, Music Education, Interaction, Performance Tests
Peer reviewed Peer reviewed
Direct linkDirect link
Latukefu, Lotte; Ginsborg, Jane – British Journal of Music Education, 2019
Although musicians have always had portfolio careers, the discourse in conservatoires around training musicians specifically for portfolio careers is relatively new. This is partly because of increasing opportunities in the workplace for entrepreneurial and multi-faceted musicians and partly -- in the UK at least -- because of educational policy…
Descriptors: Music, Music Education, Musicians, Portfolios (Background Materials)
Peer reviewed Peer reviewed
Direct linkDirect link
Havre, Sigrid Jordal; Väkevä, Lauri; Christophersen, Catharina R.; Haugland, Egil – British Journal of Music Education, 2019
This article is based on a case study of how the Rocksmith entertainment music video game can be used in the context of studying electric guitar and bass as part of music teacher training. In empirical terms, we were interested in how music teachers' knowledge becomes articulated in the pedagogical discourse of our participants. As conceptual…
Descriptors: Music, Music Education, Musical Instruments, Video Games
Peer reviewed Peer reviewed
Direct linkDirect link
Larsson, Christina; Georgii-Hemming, Eva – British Journal of Music Education, 2019
The overall purpose of this article is to provide a convenient summary of empirical research on improvisation in general music education and thereby provide guidance to researchers and practitioners, using a systematic, narrative-review approach. By analysing 20 music education research articles, published from 2000-2015 in peer-reviewed journals,…
Descriptors: Creative Activities, Music, Music Education, Educational Research
Peer reviewed Peer reviewed
Direct linkDirect link
Shin, Jihae – British Journal of Music Education, 2019
Because the importance of experienced teachers is growing, retaining experienced music teachers has become a major issue among educators. Therefore, it is necessary to listen attentively to what kinds of difficulties experienced music teachers perceive and to think about how to help these teachers so that they can successfully perform in their own…
Descriptors: Music Teachers, Experienced Teachers, Teacher Persistence, Teaching Conditions
Peer reviewed Peer reviewed
Direct linkDirect link
Randles, Clint; Tan, Leonard – British Journal of Music Education, 2019
The purpose of this study was to examine and compare the creative musical identities of pre-service music education students in the United States and Singapore. The Creative Identity in Music (CIM) measure was utilized with both US and Singapore pre-service music teacher populations (n = 274). Items of the CIM relate to music-making activities…
Descriptors: Foreign Countries, Comparative Education, Preservice Teachers, Music Teachers
Peer reviewed Peer reviewed
Direct linkDirect link
Joseph, Dawn – British Journal of Music Education, 2019
Music is more than just sounds; engaging in music activities in educational settings may foster a sense of wellbeing. This paper explores whether positive learning environments can change attitudes and build confidence of students undertaking the Bachelor of Education (primary) program. As part of a wider study in Melbourne (Australia), using…
Descriptors: Music Education, Preservice Teacher Education, Preservice Teachers, Educational Environment
Peer reviewed Peer reviewed
Direct linkDirect link
McCarthy, Carrie; O'Flaherty, Joanne; Downey, Jean – British Journal of Music Education, 2019
The present study aimed to identify student (16-18 years) attitudes towards the subject of music in second-level education in the Republic of Ireland. The study, framed by an interpretivist approach, employed qualitative data collection methods through interviews and focus groups. Findings indicate that student attitudes to music were influenced…
Descriptors: Foreign Countries, Music Education, Student Attitudes, Secondary School Students
Previous Page | Next Page »
Pages: 1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  ...  |  20