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Carr, Pattie L.; McClellan, George S. – Journal of Dance Education, 2008
This article describes a new alcohol education program at Dickinson State University. The centerpiece of the program is the Alcohol Awareness Through the Arts Program. It involves dozens of students and faculty and regularly draws 400 to 450 audience members. Funded by grants from the National Endowment for the Arts, The Otto Bremer Foundation,…
Descriptors: Alcohol Education, College Programs, State Universities, College Students
Brown, Kaysie Seitz – Journal of Dance Education, 2022
Dance as an art form continues to be undervalued; however, more exposure to dance at a young age can spur the next generation's enthusiasm for it. As an Associate Professor of Dance, my creative practice as research involves the application of creative engagement methods for young doers and viewers, while simultaneously enhancing their…
Descriptors: Dance, Dance Education, Teaching Methods, Outreach Programs
Klein, Traci – Journal of Dance Education, 2018
Instructors in higher education arts programs have a responsibility to promote active citizenship and to encourage their students to use the creative arts as a vehicle for positive social change. However, in dance curricula, incorporating these concepts can be challenging, given the long history of structured technique pedagogy and the specific…
Descriptors: Citizen Participation, Dance, Dance Education, Community Involvement
Tariao, Filomar C.; Yang, Jennifer Marie J. – Journal of Dance Education, 2022
The highly contagious coronavirus disease 2019 (COVID-19) pandemic that began in late 2019 has greatly affected education globally, especially for learning skills that require human contact and constant practice in order to achieve competency. Similar to the rest of the world, the closure of theaters and suspension of school activities in…
Descriptors: Foreign Countries, COVID-19, Pandemics, Dance Education
Leonard, Alison E.; Cridland-Hughes, Susan – Journal of Dance Education, 2020
Dance can be found anywhere from commercial entertainment to online, digital platforms. Yet, dance (as creative expression, performance, choreography, learning strategy, representation of knowledge) still maintains a marginalized profile in schools. Dance as artistic representation has immense power and potential for communicating and responding…
Descriptors: Dance Education, Preservice Teacher Education, Secondary School Teachers, Preservice Teachers
T'ai, Gina – Journal of Dance Education, 2022
Performing Gender is an interdisciplinary course studying the history, media, and creation of drag and burlesque performance. This article outlines the academic, emotional, and transformative journey that my students and I embarked on during the Fall 2018 semester. We built a Drag Family House, went to a professional show off-campus, examined our…
Descriptors: Dance, Theater Arts, College Students, Interdisciplinary Approach
Ohlberg, Jason – Journal of Dance Education, 2020
As a dance practitioner in education, Jason Ohlberg is interested in how artistic inquiry through interdisciplinary, student-centered processes can engage dancers beyond traditional choreographic practices and offer deeper contexts for learning and growth. The research described in this article began through an inter-institutional initiative,…
Descriptors: Dance Education, Undergraduate Students, Museums, Advocacy
Simpson Steele, Jamie; Fulton, Lori; Fanning, Lisa – Journal of Dance Education, 2016
The integration of science, technology, engineering, arts, and mathematics (STEAM) serves to develop creative thinking and twenty-first-century skills in the classroom (Maeda 2012). Learning through STEAM promotes novelty, innovation, ingenuity, and task-specific purposefulness to solve real-world problems--all aspects that define creativity. Lisa…
Descriptors: Dance Education, STEM Education, Interdisciplinary Approach, Creative Thinking
Toenjes, John; Beck, Ken; Reimer, M. Anthony; Mott, Erica – Journal of Dance Education, 2016
At most any performance today, you will be notified to turn off your cell phone. The smartphone has become such an integral tool in our daily lives that turning it off is tantamount to severing our connection to our community and challenging the way we view and negotiate the world. Many audience members, particularly young ones, will be looking at…
Descriptors: Handheld Devices, Dance, Dance Education, Telecommunications
Kane, Kevin M. – Journal of Dance Education, 2013
The idea of "best practices" in the performing arts is introduced as a set of progressive educational values and pedagogical strategies that attempt to not only train youth in the performing arts, but also to be transformative. This article builds on the work of educational reformer John Dewey to describe progressive performing arts…
Descriptors: Teaching Methods, Performance, Best Practices, Interdisciplinary Approach
Brown, Nathan; Dasen, Ann; Trommer-Beardslee, Heather – Journal of Dance Education, 2016
This article describes how the authors completed a project at Central Michigan University (CMU) with undergraduate theater majors and minors and dance minors as part of the annual mainstage dance concert. Although the concert is predominantly choreographed and designed by CMU faculty, students are engaged in every step of the performance and…
Descriptors: Music, Dance, Musical Composition, Lighting
Moffett, Ann-Thomas; Sorensen, Gina Bolles; Ifill, Valerie – Journal of Dance Education, 2015
The Master of Fine Arts (MFA) is a terminal, practice-oriented degree in dance. Approximately 30 institutions in the United States offer MFA degrees in dance (National Association of Schools of Dance 2014). The degree was "designed historically to offer a broad education with a content specialization, 'without the latter overpowering the…
Descriptors: Masters Degrees, Fine Arts, Education Work Relationship, Dance Education
Cruz Banks, Ojeya – Journal of Dance Education, 2021
Rhythmic virtuosity or moving with "percussive attack" is an ultimate performance quality for Black/African dance. The practice of musicality is a window into a dynamic system of intersubjective communal creativity. Drumming, for example, provides percussive sensorial information that directs a dancer's somatic and choreographic…
Descriptors: African Culture, Music, Dance Education, Dance
Buono, Alexia; Burnidge, Anne – Journal of Dance Education, 2022
This article describes dance/STEAM-based educational workshops for 3rd and 4th graders at a local science museum led by the artistic director and members of a professional dance company and supported by a large university research community. The overarching pedagogical goal was to use dance to learn about science and science to learn about dance.…
Descriptors: Dance Education, Interdisciplinary Approach, STEM Education, Art Education
Seham, Jenny; Yeo, Anna J. – Journal of Dance Education, 2015
Environmental, organizational and attitudinal obstacles continue to prevent people with vision loss from meaningfully engaging in dance education and performance. This article addresses the societal disabilities that handicap access to dance education for the blind. Although much of traditional dance instruction relies upon visual cuing and…
Descriptors: Inclusion, Dance Education, Visual Impairments, Teaching Methods
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