In elementary general music, the need for culturally responsive pedagogies and trauma-informed practices may coexist. Creating an environment and developing instruction in ways that are both culturally responsive and trauma-informed may be possible, because both approaches share common theoretical underpinnings and practices. In this article, we…

The Xindi Applied Piano Pedagogy (XAPP) was self-formulated by Professor Xindi, the Dean of the Music Education Institute of Xinghai Conservatory of Music (MEIXHCM), in 2001. After a series of scaffolding developments over a decade, the single instrumental teaching method is now developing into a holistic music educational system for the…

The times we live in are described as pluralistic and diverse. In the Nordic countries, societies are often described--even officially--as multicultural. People with different cultural and ethnic backgrounds are expected to coexist and respect each other. Different values are set free from hierarchical conceptual models. Many stories about the…

Performance assessment is an integral part of young musicians' development. Students enrolled in music programs frequently participate in adjudication festivals and many audition for select ensembles. Outcomes of such events are deemed consequential among all concerned: students, parents, teachers, and administrators. Furthermore, the number of…

Approaches to teaching music notation and instrumental technique have been standardized and codified in the United States with great success in beginning instrumental programs. While these skills are important, we do a disservice to students if we do not equally develop comprehensive musicianship and creative thinking at a young age. Creating…

Jazz has been a familiar element of secondary music curricula in the United States since the late 1960s (Worthy 2013). Yet, as broader social dialogue addresses equity and justice concerning gender and sexuality, secondary instrumental jazz education remains underrepresented in those discussions. Pressures to conform to heteronormative notions and…

The literature of pedagogical music for the piano was the center of unparalleled critical dialogue and scholarly discourse in nineteenth-century Europe. Focusing on the theory of piano pedagogy and the merit of pedagogical music, this discourse was unique not only because of its subject matter but also because it was shared, shaped, and…

"Music Educators Journal" is the profession's oldest continuously published journal, and it has grown to encompass the largest worldwide readership of any music education publication. It did not start that way. The journal began as an informal pamphlet known as "Music Supervisors' Bulletin" in 1914, changed its name to…

The purpose of this literature review was to gather and examine current research related to the recruitment of precollegiate students into traditional music teacher education programs in the United States. Research has shown that precollegiate students who pursue music education as a career are influenced by their secondary ensemble directors.…

Over the last years, "El Sistema" has been enthusiastically received around the world and has inspired several proposals aiming to transplant it to different contexts in different countries. It would seem, then, that "El Sistema" constitutes a renewed approach that allows a place for inclusive music education within the…

The paper investigates the history of instrumental music programs in Victorian Government secondary schools over a 50-year period. These programs were researched using archival materials, State government documents and curriculum changes. Factors which impacted the transformation were government policy, societal trends, developments in the…

Background: Educational guidelines and reforms focused on literacy, including No Child Left Behind (NCLB) and National Assessment of Educational Progress (NAEP), have contributed to a music education culture and climate focused on language literacy rather than on the core content literacies inherent in music itself. Purpose: The purpose of this…

Being able to play the guitar and sing one's favorite songs is often an unrealized adolescent dream. Guitar Express is a group music making approach that aims to enable people to realize this dream and develop an identity of amateur musician regardless of age. This is achieved through the use of an alternate tuning of the guitar and a variety of…

The purpose of the study was to examine the effect of teacher experience on student progress and performance quality in an introductory applied lesson. Nine experienced teachers and 15 pre-service teachers taught an adult beginner to play "Mary Had a Little Lamb" on a wind instrument. The lessons were videotaped for subsequent analysis of teaching…

The purpose of this investigation was to examine the influence of teaching-career level and primary instrument on music teachers' assessment of music performance. The main and interaction effects of three career-level conditions (in-service teachers, upper-division undergraduate students, and lower-division undergraduate students) were examined,…