Describes an elective trimester course for sixth, seventh, and eighth grade students designed to introduce Shakespeare using student-centered learning, films, music, art projects, reading, and writing. Students' evaluations of the course were unanimously positive. (NH)

Examines how Alan Durban's rewriting of Shakespeare's plays changes the meanings and beauty of the original works. (CRH)

This book, for grades 9-12, contains a wealth of ideas and practical activities for studying Shakespeare's "Hamlet." The first section, "Revenge Tragedy," provides background materials to help prepare students to read "Hamlet," including a discussion of revenge tragedies, comparisons to other plays from the period,…

Outlines a lesson for Shakespeare's "Romeo and Juliet" which compares the Shakespearean text of Romeo and Juliet's parting (Act III, Scene V) with a Rudolph Nureyev ballet of the same episode. (MM)

Shows how looking at Shakespeare's prejudices and their roots, as seen in "The Merchant of Venice," can teach students not only about historical attitudes but also about their own unacknowledged assumptions and stereotypes. (MM)

Basic and standard reference materials dealing with William Shakespeare are listed in this bibliography. Annotated entries are grouped under the following headings: concordances, dictionaries, encyclopedias and handbooks, and bibliographies. The section on bibliographies is further divided into lists of editions of Shakespeare's work, general…

Describes a method for teaching literature, specifically Spanish literature of the sixteenth and seventeenth centuries. The method depends upon encouraging the students to experience affectively what they are reading. (CLK)

An analysis of a poem by San Juan de la Cruz (St. John of the Cross), the sixteenth century Spanish mystic, identifies symbols and images, explains themes, and offers a synthesis of his structural patterns. The poem, "Tras de amoroso lance", deals with the theme of the search of the beloved (i.e., the soul) for the lover, and…

Clarifies the three forms--compensatory, justificatory, and transformational--that feminist criticism usually takes and, in particular, how it applies to Shakespeare studies. Examines some women's roles in Shakespeare's plays and the effect of feminist criticism on interpretations of these characters. (JC)

Intended as a guide to scholarship in 16th-century English literature and culture, this selective listing provides coverage of the major works and topics, with emphasis on work published in the 20th century. Omitted are unpublished dissertations and most literary histories, bibliographies of bibliography, short notes and explications, and older…

A class activity for young adult students of English as a second language uses simplified versions of Shakespeare's familiar dramatic plots to promote student participation and use of second language skills. The students are provided with a list of characters, a synopsis of the story, a room with floor space, and a time frame in which to recreate…

Notes that most students have had prior exposure to Shakespeare's works, and that this exposure creates special problems for which instructors must fashion appropriate solutions. (CRH)

This is the first of 11 sections of a complete, structured, and detailed study guide proposed for M.A. candidates. This section covers the 16th century and is entitled "Descubrimiento y Conquista" ("Discovery and Conquest"). Suggested readings are accompanied by lists of sources and reference works chosen for usefulness and readability. Dominant…

The "Introduction to Shakespeare" course in the Quinmester Program involves the careful study of the tragedy "Romeo and Juliet" and the comedy "The Taming of the Shrew," emphasizing language, development of character and theme. The course also includes the study of biographical data relevant to the evolution of…

Recounts author's experience in teaching 'King Lear' to her community college students. States that many students denounced Shakespeare's work as having little relevance to contemporary society. Argues that the author's plays and poems are relevant and timeless, and that one should "reason not the need" for reading his work. (AUTH/NB)