The purpose of this paper is to advance the state of chamber-theatre theory by providing a mechanism not only for the staging of works of prose fiction using several narrators but also for those works which have been cast in a temporal sequence inconsistent with the customary perception of time. Venn diagrams are used to represent logical relationships of temporal composition through the inclusion, exclusion, or intersection of component circles. This analysis is specifically applied to a portion of Ken Kesey's novel "Sometimes a Great Notion." (Author/KS)