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Peer reviewedCard, Raymond – English Quarterly, 1973
Descriptors: Arts Centers, Drama, Literary History, Outdoor Activities
Peer reviewedIsasi Angulo, Amando Carlos – Bulletin Hispanique, 1972
Descriptors: Authors, Comedy, Drama, Interviews
Peer reviewedKennedy, Ruth Lee – Hispanic Review, 1973
Special issue as a tribute to Dr. Arnold Reichenberger, well-known Hispanist. (DS)
Descriptors: Drama, Literary History, Playwriting, Seventeenth Century Literature
Rienstra, Phillis – Speech Teacher, 1972
Descriptors: American History, Creative Dramatics, Drama, Interpretive Reading
Peer reviewedSabin, Elenora R. – Hispania, 1973
Descriptors: Analytical Criticism, Characterization, Drama, Motifs
Barone, Joe; and others – Grade Teacher, 1970
Writing assignments designed to be interesting to students related to business letter writing, creative writing, and playwriting. (DB)
Descriptors: Business Correspondence, Creative Teaching, Creative Writing, Letters (Correspondence)
Reed, Daphne S. – Educ Theatre J, 1970
Analyzes LeRoi Jones' plays and describes white and black audiences' responses. (SW)
Descriptors: Attitudes, Audiences, Black Culture, Black Literature
Peer reviewedPullini, Giorgio – Italica, 1969
Descriptors: Comedy, Drama, Dramatics, Italian Literature
Hoover, Marjorie L. – Slavic East Europe J, 1969
Descriptors: Dance, Drama, Literature Reviews, Periodicals
Corson, Sarah L. – Pointer, 1982
The process of writing a play serves as a remediation method for developing writing skills in the learning disabled student. The case of an 11-year-old student, who neither writes nor spells, illustrates this method. (SB)
Descriptors: Elementary Education, Learning Disabilities, Playwriting, Remedial Instruction
Peer reviewedDanielson, Henry R. – English Journal, 1981
Relates the steps in the process of students' productions of radio plays, which can inspire quality writing experiences. (RL)
Descriptors: Classroom Techniques, High Schools, Playwriting, Radio
Avery, Laurence G. – Educational Theatre Journal, 1977
Descriptors: American Culture, Drama, Literary Criticism, Nineteenth Century Literature
Peer reviewedDitor, Rachel – Theatre Topics, 2003
Outlines a dramaturg's process when working on three different plays. Contends that the myriad variations on the question "what will happen next?" serve as the basic architecture on which the dynamic relationship between the story/storytellers and the audience is built. Observes that the continual planning and answering of questions is…
Descriptors: Audience Awareness, Critical Reading, Discussion, Drama
Peer reviewedDavis, Jeffrey K. – College Teaching, 1990
One teacher devotes a portion of the college freshman composition course to an archetypal approach to literature, presenting students with basic story elements (archetypal patterns and characters) in myth and literature to which they can relate their own lives. Students create puppets and puppet plays in highly imaginative and entertaining ways.…
Descriptors: College Instruction, Freshman Composition, Higher Education, Playwriting
Peer reviewedSwortzell, Lowell – Youth Theatre Journal, 1989
Discusses the plays of Wendy Kesselman. Analyzes the plays in light of the special demands they make upon young audiences. (MS)
Descriptors: Audiences, Childrens Literature, Drama, Elementary Secondary Education


