Presents over 30 activities designed to introduce elementary school children to opera. Also provides a synopsis of and student activities for three specific operas ("Hansel and Gretel,""The Mikado,""Aida") and a short article about opera star Luciano Pavarotti. (SJL)

Music education does not exist in a vacuum; it must be viewed as part of a total musical scene. Article considered the wide spectrum of musical events in Hawaii that made music education there so rich and varied. (Author/RK)

The difficulties surrounding any attempt to make a profit out of great music are discussed. (CK)

Suggestions are made for introducing opera to children when they are in kindergarten and in the lower elementary grades. Opera is a form of artistic excitement involving many elements especially well-loved by children and natural to them, including music, costumes, acting, dancing, scenery, and imagination. (RM)

Discusses relating literature to drama and music in order to achieve an integrated language arts curriculum. (HTH)

Describes the creation of an opera based on Aesop's Fables which was written, composed and performed by middle school students. Student groups created scenes based on the fables and devised methods for realizing them musically. Activity organization and student evaluation methods are discussed. (AM)

To succeed in today's competitive opera world, a singer needs--in addition to a good voice--personality, acting ability, good appearance, musicianship, language facility, versatility, and experience. Especially important are sight reading skills, care of the voice, and the ability to express emotion. Part of a theme issue on opera. (Author/SJL)

This paper reports two projects done by children in Hong Kong, adapting the Reggio experience to fit the local needs of the community and the children. As Carla Rinaldi said, children are constantly "in search of meaning, finding the sense and meaning of things we do" (Lee, 2001, p. 29). The first project documented how children of the…

Articles concerning music are included in this newsletter dedicated to cultural venture to be jointly carried out by the Council of Europe and the European communities. Many events will mark Music Year 1985, including concerts, dance performances, operas, publications, recordings, festivals, exhibitions, competitions, and conferences on musical…

The study reported in this paper examined the structure and function of Chinese opera (also known as Peking opera) as an effective communication medium of social control and change in China, a land populated by 800 million people and nourished by a 5,000-year-old civilization. The study followed structural-functional analysis, content analysis,…

Describes how a first-grade class created an operetta about losing their teeth. The students told stories about losing teeth and made those stories into songs using Orff-type speech and music techniques. (AM)

The composer of an opera for elementary students describes his composition and the process of taking it out to the schools of southern Ohio. This article is part of a theme issue on opera. (SJL)

The controlling strategies of neo-liberalism, designed to constitute academics as economic units supporting the designs of government, are contrasted here with the creative and transgressive elements of a more Deleuzian approach to writing that opens things up, that brings thought to life, that makes the familiar, predictable order tremble. The…

Deals with the problems encountered by beginning opera directors. Emphasizes consideration of rehearsal scheduales, conductor-director relationship, and script interpretation. (MH)