The Gifted Self-Understanding Assessment Battery (GSAB) was given to 34 (27 females, 7 males) music students (aged 15-17) at Bonita Vista High School in Chula Vista (California). Biofeedback training and assessment were followed by individual counseling for Autogenic Feedback Training (AFT) to achieve improvement of the individual's own well…

Results of the Commission's four-year deliberations are presented under these headings: The Nature and Function of Graduate Music Education; The Curriculum for Graduate Study; Qualifications of Faculty; Selection, Admission, and Qualifications of Students; The Environment and Resources for Graduate Education; and The Role of Research. Extensive…

Reproduces a teaching strategy from the "Beginning and Intermediate Band" volume of the "Strategies for Teaching" series. The reproduction includes the objective, procedures, materials used, prior knowledge and experiences, indicators of success, and follow-up activities. The strategy supports the musical instructional standard 4C: composing and…

Investigates the nature and causes of performance-related injuries among young musicians. Briefly reviews injuries and health problems associated with specific instruments and gives tips for avoiding and treating these. Includes information on related reference works and journal articles. (MJP)

Asserts that study of the arts fosters the type of divergent and creative thinking needed in both the business world and society. Argues that educators should work together to develop schedules of eight instructional periods allowing for more arts instruction. Considers requiring arts courses for graduation from high school. (MJP)

Provides an overview of China's music education system. Notes that there is in Chinese education a different emphasis upon conformity and the individual. Finds a separation between ideals and action in both the Chinese and United States programs. States that efforts to move the Chinese program away from training are still rudimentary. (KO)

States that prevention of discipline problems is directly related to effective teaching strategies. Suggests that good teaching, based on well-planned lessons, proper pacing of lessons, effective classroom management, teacher assertiveness, and teacher musicality, can prevent undesirable behaviors in the music classroom. (LS)

Urges music educators' involvement in placement decisions for exceptional students in order to avoid poor placements and to enable all learners to experience musical success. Explains that educators need to understand applications of current law to teaching situations. Describes instructional strategies and aids and services that will ensure music…

Reports on a study to compare the hearing acuity of three groups of music teachers: (1) vocal; (2) elementary instrumental; and (3) high school instrumental. Finds some risk of hearing loss among high school band directors, but that the degree of risk varies widely among individuals. (CFR)

Maintains that use of the Suzuki, Orff, and Dalcroze methods have assisted string teachers in helping music students achieve mastery from the beginning of instruction. Describes how these methods are used by five music teachers. Includes addresses of organizations that provide information about these music teaching methods. CFR)

Maintains that many music education associations sponsor chorus or band festivals at the middle and high school levels, but meeting the needs of prekindergarten and primary students is a more challenging task. Describes a one-day music festival for early elementary children. (CFR)

Maintains that jazz is the improvised variation of a melody based on a previously established harmonic and rhythmic framework. Provides teaching suggestions for introducing jazz to school bands and encouraging improvisational playing. Asserts that helping students play jazz is not easy, but it will develop creativity and confidence. (CFR)

Maintains that in an era of budget cuts and shortened music classes, music educators must be efficient with their use of time. Discusses the use of synthesizers and multimedia equipment. Includes a feature outlining ways to obtain equipment, copyright issues, and two teacher resources. (CFR)

Examines how new theories about the mind and brain affect music education. Specifically considers the nature of the musical mind and the nature of music. Discusses the work of Robert Ornstein, D. Alan Allport, Howard Gardner, and David Loye. Recommends that music educators, at all levels, incorporate these perspectives into their teaching. (KM)

Reviews the renewed alliance between music educators and medical researchers in researching the learning process. Focuses on how music is used as therapy for disabled children and the research that enables teachers to provide effective instruction to special education students. Emphasizes the interdisciplinary courses that relate music and…