Focuses on how preservice teachers can develop their classroom management skills. Explains that teachers must improve their personal delivery style, knowledge, and accurate presentation skills. Addresses how to minimize off task behavior, time management, and meeting student needs. Includes a bibliography. (CMK)

Reports on music education research in 1990 under these headings: (1) the status of music education from descriptive research; (2) types of research, research findings, and implementation; and (3) probable immediate future of music learning and teaching. (KM)

Maintains that an educational philosophy grounded in motivation and a positive attitude leads to successful implementation of mainstreaming instructional strategies. Outlines 12 strategies for dealing with mainstreamed students and their diverse needs that include instructional objectives, lesson plans, themes, using tutors and teachers' aides,…

Reviews a doctoral dissertation that attempts to identify and analyze the behavior of successful middle school music teachers. Describes the instrument developed to measure these behavioral characteristics. Suggests that the videotapes of class sessions may be the most useful portion of the study. (LS)

Reviews research related to children's musical development. Reports on a study of 125 kindergarten and first-grade students on the impact of modification of timbre and register of musical stimuli. Finds that timbre modification helped children recognize chord changes with first graders identifying more changes than did kindergartners. (CFR)

Contends that, if music teachers want their students' singing to improve, they should focus on the vocal warm-up period. Presents and discusses a three-part warm-up activity that takes about 12 minutes. Includes a figure summarizing the approach and containing a fourth optional component. (CFR)

Discusses the importance of professional development and maintains that the summer offers an ideal time for such activities. Describes informal activities such as composing and arranging and encourages professional collaboration. Identifies formal study such as graduate study, workshops, and professional conferences. (CFR)

Maintains that inclusion, mainstreaming, and other issues associated with special education are becoming part of music education. Asserts that music teachers have a responsibility to develop the music potential of all students. Describes classroom techniques for meeting the individual needs of special students. (CFR)

Presents results of a study of the relationship between the diagnostic skills of string music teachers and the performance competencies of their students. Reports no significant relationship between teacher skills and student competencies. Presents teacher ratings of the influence of 22 factors on students' musical achievement. (SG)

Outlines music education's history since World War II, highlighting the work of the Music Educators National Conference (MENC). Emphasizes U.S. music educators' influence in international music education, arguing this influence should reflect multicultural, global perspectives. Notes the importance of understanding mass media's influence on young…

Contends that, as a social enterprise, music education constitutes a dyadic relationship between student and teacher. Concludes that, although a satisfactory conceptual framework for empirical research does not exist yet, there is a basis for dialogue about the nature of musical participation. (CFR)

Reports on a study of 811 African American high school students to determine what proportion identified music teachers as role models. Finds that 36% of the subjects identified a music teacher as a role model. Suggests that the findings highlight the need to recruit more minority teachers into music education. (CFR)

Considers the role of the cooperating teacher in the student teaching experience. Examines the preliminary interview, lesson planning, assimilation, teaching as a team, evaluation, and suggesting improvements. Discusses the importance of self-evaluation and cooperation within the triad of student teacher, college supervisor, and cooperating…

Asserts that the difference between average marching band performance and the truly memorable performances is a result of creative charting. Discusses four stages of creative thought that can be applied to marching band strategy: (1) preparation; (2) incubation; (3) illumination; and (4) verification. (CFR)

Argues that music teacher education programs must include an early introduction to research methods and findings related to the field. Discusses two research findings that affect nearly all music teachers and should be a part of all music teacher education programs. Includes a list of 13 recommended journals that cover issues related to research…