Author presents an analysis of American popular music. (RK)

Teaching suggestions for helping children to perform a choral-speaking fugue. (RB)

Describes three basic types of music listeners: the sensorial, the perceptive, and the imaginative. (MF)

A semester-long study of Mozart helped eighth-graders understand the composer's personality and appreciate his music. Students read a biography of his life, studied the forms of his music, danced the minuet, and performed one of his operas in a schoolwide Mozart Day celebration. (AM)

Music listening experiences have a role in the general music program. "Scanning" is Harry S. Broudy's approach to developing responsiveness to music's expressive qualities through music listening. (AM)

Discusses why the second national music assessment conducted by the National Assessment of Educational Progress found a slight decline in student music knowledge. Strengths and weaknesses of the assessment are described. (AM)

Describes ways teachers can exploit student knowledge and interest in pop music by drawing examples from it to illustrate music theory and appreciation concepts. The author contends that, when students receive a broad exposure to all kinds of musical types, they develop their own valid standards for good music. (AM)

Briefly discusses music programing for special audiences. An illustrative exercise provided to point out a programing format, especially the sequencing activities and utilization of resources. (Author/MP)

Described is a puppetry project which incorporates learning music selection, introducing music in writing activities, learning how music tells a story, learning about sound effects and theme music, and music appreciation. Some musical resources are included. (KC)

Examines group influences regarding music preferences to determine the effect that conformity has on the decision-making process. The study tested participants selections of popular and orchestral excerpts which had altered pitch and/or tempo. Concludes that preferences of music majors regarding orchestral music are not significantly affected by…

Describes a class for ninth graders at a private school that used the study of music to help develop six basic intellectual skills and to provide a foundation for further creative work. Discusses using the inquiry/discovery method, applying the intellect, listening to and learning from pop music, the dangers of this approach, and the final exam…

Presents results of a test of nonmusic majors' ability to remember song titles. Suggests that, although the process of categorization seems to be a basic function of perception, appropriate categorization needs to be learned. Supports the view that music learning, like verbal learning, involves a categorization of stimuli based on holistic…

Considers Allan Bloom's criticism of popular music in "The Closing of the American Mind." An examination of the music popular with young people, including a look at Afro-American music, suggests that it has virtues that will survive and that love for contemporary music is not the moral and cultural dead end Bloom has suggested. (SLD)