Ways of using music in school are discussed. (CK)

Paper presented at the annual convention of the National Guild of Community Music Schools, Los Angeles, California, November, 1968.

Points out the value of a favorable music curriculum for children two to eight years of age, advocating an emphasis on and providing guidelines for programs in vocal development, instrumental skills, and music appreciation in early childhood curricula. (RH)

This study examined the effect of instruction in vocabulary and listening on number of changes counted in a music excerpt, verbal descriptions of these changes, and use of music vocabulary. After four weeks of differential instruction, results were mixed and more research is recommended. (Author/IS)

Asserting that children are particularly open to novelty in music, the author analyzes four examples of twentieth-century avante-garde music and suggests how they can be presented in a children's music class. (SJL)

The author explains to the classroom teacher how to make music listening a daily part of early childhood education. She suggests a number of specific musical works--from the classics through rock music-- that young children will enjoy. (SJL)

Notes that songs can bridge generations, draw students and teachers together, and remain forever in a child's memory. Suggests the following approaches for early childhood educators: sing with children, share favorite songs with students, allow students to sing and share their favorite songs, and do not focus on students' musical memory. (LBT)

This article explains how children learn to sing and discusses criteria for selecting songs suitable for young voices. Teachers should begin with the familiar, proceed with what is comfortable, move on to what is functional, and reach out to new ideas. Provides sources for and examples of appropriate records, tapes, songbooks, and story songs.…

Chances are that future music lovers are right now sitting in the orchestra, chorus, band, or general music class, waiting to be enlightened. True, they are working diligently in rehearsals toward excellent intonation in that Schumann transcription, and they seem to be loving the gem of a concert march they've been working on, but are they also…

Fifteen-sixteen years old Fenno-Swedish compulsory school pupils' written descriptions of "strong" experiences were used for comparing (a) the frequency of experiences related to music and to other aesthetic areas (literature, drama etc.) and (b) the frequencies of music experiences related to different basic modes of confronting music:…

Author presented for consideration the position that the importance of mass media music (FM, AM, juke box, TV, film, etc.) might not be so much in its music as in the musical systems represented by that music. (Author/RK)

Authors discussed how to achieve a successful and meaningful program as well as how to motivate creative expression in pantomime, art number and spelling games. (Author/RK)

If popular music is merely a reflection of bad taste, as is often suggested, why do so many people enjoy it? (Author)

A study to assess the information function of pop music in the adolescent socialization process involved approximately 500 students in junior and senior high schools and colleges in a large metropolitan area in the northeast and approximately 400 university undergraduates in an introductory sociology class. In-class, self-administered…