Contends that play scripts are written to be performed and that a critical response to a play should reflect the fact that the script is a blueprint for a live happening. Proposes that students need to study a play both in the theatre and as written text. Explores aspects of Shakespeare's plays as performed theatrical works. (PM)

Discusses the value to film studies of a 1971 publication, "The World Viewed," a serious study of film which was not well received by the field and whose usefulness is still almost unknown. Finds that the author, Stanley Cavell, endeavors to find words of a common language and that his writings exemplify the importance of intuition and…

Argues that a postmodern theory of identity (i.e., the subject as coherent, integrated, discoverable self is a fiction of modernity) links Martin Scorsese's major films. Examines "Taxi Driver,""Raging Bull," and "King of Comedy." Concludes that these films articulate a major cultural shift and chronicle a…

Investigates critical pedagogy by focusing on an empirically-based evaluation of the difficulties surrounding its potential realization. Discusses student response to different pedagogical approaches and institutional context. Examines whether it is possible for management teachers to implement a critical pedagogy to greater extent and potential…

Visual images of gender from five years of three library publications were examined. Results, charted in five figures, are discussed in terms of journal covers, entire issues, text, advertisements, number of professional librarians, and academic versus general libraries. Findings show that women are visually underrepresented. (AEF)

Presents a process to prepare 10th-grade students to generate clear and thoughtful critiques of work in six nonprint media categories; movies, television shows, audio recordings, music videos, live performances, and computer programs. Provides detailed questions for student analysis of each. (SR)

A framework for media education that helps students enhance their understanding of the media and use their knowledge to influence individual and community action is proposed. It is experienced that the problem with educating children against, rather than about, the media is the assumption that students are passive audiences of the media, lacking…

Media literacy education is an emerging field in the US. At the same time, accountability in public schools is soaring. Critical media literacy, with its liberatory pursuits, is very much at odds with repetition and recall. Yet media culture is persuasive and pervasive, and critical media literacy's concepts are in line with critical pedagogy. So…

In this article, the author describes the difference between debriefing and critiquing. Critiquing art entails examining the use of the art elements and the principles of design. Describing what one sees as well as how the work is organized is a major part of critiquing. Determining what the piece is communicating and whether the piece is…

This course is divided into seven units, each focusing on a particular aspect of television. The unit topics and some of the subtopics included are: (1) television and the American viewer; (2) the television industry (the networks, the role of the Federal Communications Commission, public television, and the business of television); (3) programs…

In "The Hero's Journey" Joseph Campbell identifies the patterns that inform the myths of the "hero" throughout recorded history. By using Campbell's template, this paper examines how the American war hero is portrayed and has been portrayed in film. The paper states that Americans not only define their war heroes in films but…

William Shakespeare has influenced most, if not all, Western playwrights. His techniques, themes, characters, and plots are contained in much of what is produced today, from television to Broadway. This teacher's guide provides summaries of the plays "The Merchant of Venice" and "Othello," essays, and corresponding student…

Despite the image of the pernicious effects of mass media, media consumers are not passive receptors of media-generated beliefs and ideas. Educators can help adults become media literate by helping them decode, filter, and interpret the messages they read, see, and hear through content and context analysis. (SK)

Illustrates ways that the work of some communication scholars with resistant, oppositional, and critical audiences does not, however, endorse active public life. Attempts to realign the language of critical viewing with the goals of participatory democracy by suggesting qualities of critical viewing that are conducive to achieving and maintaining…

Assesses preschoolers' reactions to two suspenseful television scenes, one normal and one dream version. Finds viewing with an older sibling reduces preschoolers' ability to recognize the dream in the program. Finds that those who viewed with an older sibling liked the program more than those who watched alone. (NH)