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Edmund, David C.; Keller, Elliott C. – General Music Today, 2020
Improvisation is a fundamental aspect of musicianship and an important pursuit in music education. Children in music classes throughout the world are engaged with improvisation in a variety of modes and settings. Whether singing, physically moving, or playing an instrument, the act of improvising in front of others may raise one's…
Descriptors: Music Education, Creative Activities, Fear, Anxiety
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Ciara Thomas Murphy; Lee Martin – Journal of Museum Education, 2024
From a social constructivist perspective, learning happens by way of engagement with other people and with objects in the environment, often through a process of play and exploration. The notion of tinkering illustrates this mode of creative play, which is relevant not only to youth learning but also to educators' professional learning. In this…
Descriptors: Experiential Learning, Reflective Teaching, Family Environment, Constructivism (Learning)
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Larsson, Christina; Georgii-Hemming, Eva – British Journal of Music Education, 2019
The overall purpose of this article is to provide a convenient summary of empirical research on improvisation in general music education and thereby provide guidance to researchers and practitioners, using a systematic, narrative-review approach. By analysing 20 music education research articles, published from 2000-2015 in peer-reviewed journals,…
Descriptors: Creative Activities, Music, Music Education, Educational Research
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Ratcliffe, Eleanor; Gatersleben, Birgitta; Sowden, Paul T.; Korpela, Kalevi M. – Journal of Creative Behavior, 2022
Experience of nature is widely linked to well-being, including psychological restoration. Benefits to creativity have been explored in a limited number of studies which refer to theories of restorative environments as frameworks, but it is unclear which aspects of the environment and person-nature transactions are implicated in these processes. In…
Descriptors: Natural Resources, Creativity, Public Opinion, Creative Activities
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Smith, Kaile; Pickering, Alan; Bhattacharya, Joydeep – Creativity Research Journal, 2022
Participating in creative activities is associated with increased positive emotions and enhanced subjective well-being in general populations. However, these relationships are less understood in the daily lives of creative individuals who regularly engage in both professional creative behaviors and everyday creative experiences. Therefore, in this…
Descriptors: Adults, Creativity, Affective Behavior, Well Being
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Karaosmanoglu, Gökhan; Metinnam, Ihsan – Education Quarterly Reviews, 2022
In drama lessons based on improvisation and role playing, participants express themselves spontaneously, take on various roles and act out by pretending. With improvisation, which is one of the two basic strategies used together with role playing in drama, the participants act in accordance with the designed dramatic fiction. The goal of this…
Descriptors: Drama, Electronic Learning, Role Playing, Undergraduate Students
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Sutherland, Andrew; Smith, Stewart – Music Education Research, 2022
For many music students studying classical piano in tertiary institutions, techniques in improvisation are not included in their undergraduate curriculum. Despite the acknowledged musical benefits of improvisation, piano pedagogy curricula remain firmly rooted in the nineteenth century, focusing on the performance of the familiar canon of…
Descriptors: Music Education, Musical Instruments, Creative Activities, Teaching Methods
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Henderson, Laura – Film Education Journal, 2022
Student engagement in tertiary cinema studies can be fickle: while most students respond strongly to films, little regard is similarly paid to prescribed readings or other coursework that is crucial to developing complex critical thinking with media. This paper presents a case study of an intervention aimed to remedy this disparity of student…
Descriptors: Film Study, Films, Play, College Freshmen
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Lanier, Mary Ann – Update: Applications of Research in Music Education, 2023
Improvisation is an important element of global musical practices. However, musical improvisation is often neglected in K-12 and collegiate music education programs, with some music educators suggesting that improvisation cannot be taught. Rather, improvisation must be facilitated, enabled, and fostered. In this review of literature, I examined…
Descriptors: Music Education, Creative Activities, Musicians, Musical Instruments
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Szatek, Elsa; Gunnarsson, Karin – Research in Drama Education, 2023
This article concerns how the normative matter of body hair is playfully encountered within a theatre practice for teenage girls. By working with Deleuzian-inspired theories, playfulness is understood as embodied doings, interwoven with the local context. The article explores how playfulness is enacted in relation to the everyday, in particular…
Descriptors: Females, Theater Arts, Play, Human Body
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D. Steger; S. Weiss; O. Wilhelm – Creativity Research Journal, 2023
Creativity can be measured with a variety of methods including self-reports, others reports, and ability tests. While typical self-reports are best understood as weak proxies of creativity, biographical reports that assess previous creative activities seem more promising. Drawbacks of such measures -- including skewed item distributions, a lack of…
Descriptors: Creativity, Creativity Tests, Test Construction, Algorithms
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Preis, Heidi; Bojsza, Elizabeth; Lindenfeld, Laura; Pati, Susmita – Communication Center Journal, 2021
While medical improvisation is emerging as a promising strategy for communication training, little is known about its effects on interdisciplinary healthcare teams and there is a need to advance knowledge about the impact of engagement during the training on communication skill improvement. We evaluated changes in communication skills among 132…
Descriptors: Communication Skills, Health Personnel, Medical Education, Creative Activities
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Hovland, Ingie – Teaching & Learning Inquiry, 2021
This paper gives an example of an inductive Scholarship of Teaching and Learning (SoTL) process, adapting Anthony Ciccone's five conditions of a meaningful SoTL question. Presenting a study on pre-class reading in an undergraduate religion class, I describe how my question went through five life stages. I began with nine different pre-class…
Descriptors: Undergraduate Students, Reading, Creative Activities, Religion Studies
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Vaughan, Sian – Research in Post-Compulsory Education, 2021
Practice-based research is now widely accepted at doctoral level, and it is recognised that creative practice can be the mode, method, tool, object, subject and/or embodiment of research in the arts and humanities PhD. The growth of creative methods and arts-based methods also means that data is increasingly gathered through creative means in many…
Descriptors: Foreign Countries, Doctoral Degrees, Degree Requirements, School Policy
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Boylorn, Robin M. – International Journal of Qualitative Studies in Education (QSE), 2021
The author reflects on the ingenuity and improvisation of black women as research methodology. She summarizes the contributions of the special issue to discuss the role and importance of creativity and lived experience in the work of black women researchers.
Descriptors: African Americans, Females, Research Methodology, Researchers
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