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Showing 76 to 90 of 275 results Save | Export
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Franses, Philip Hans – Creativity Research Journal, 2016
This Research Note shows that classic composers created their best works when they were at a similar age when creators in other domains did their best work, namely when they were at an age that represented around 60% of their life span. This finding is very similar to earlier results for painters and authors.
Descriptors: Musical Composition, Classical Music, Creativity, Age
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Elkoshi, Rivka – International Journal of Music Education, 2019
This follow-up pilot study investigates the effect of a six-month analysis course, during which college music majors learned to see the meaning of music as being essentially intra-musical. The study aims to explore relationships between intra- and extra-musical perceptions among subjects (N = 33) while listening to Beethoven's "Thunder…
Descriptors: Pilot Projects, Music Education, College Students, Majors (Students)
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Mukherjee, Anoosua – Journal of Historical Research in Music Education, 2019
By the middle of the twentieth century, American universities had evolved into powerful institutions with aggressive cultural agendas. Renewed interest in the arts provided a platform for composers employed by these universities to grow into powerful civic leaders. This article investigates the contributions of four modernist composers--Walter…
Descriptors: Music Education, Music Teachers, College Faculty, Musical Composition
Pelayo, Jose Maria G., III. – Online Submission, 2019
After a five (5) day observation period and successfully documenting the current dynamics of high students in the academic and social settings before the exposure to Mozart's music, the researcher continues with a twenty (20) day observation period of the same participants in their respective environments while exposed to Mozart's music. Before…
Descriptors: Classical Music, Social Development, Emotional Development, High School Students
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Bernhofer, Andreas – Hungarian Educational Research Journal, 2020
Many European cities offer a vivid cultural landscape and numerous live-music opportunities. Some of the events aim at young audiences and develop cooperation projects with schools (Schwanse, 2003). The "Schools@Concerts" research project focuses on long-established cooperation projects between schools and concert hosts and tries to give…
Descriptors: Music Activities, Music Education, Music Teachers, Teacher Education Programs
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Rolfhamre, Robin – Action, Criticism, and Theory for Music Education, 2020
What happens when a classical music instrument performance course at a Norwegian state university study programme is assessed for quality following a standardized procedure? The article explores frictions and negotiations between managerial quality assurance and classical music performance education in a contextual sense, focusing particularly on…
Descriptors: Classical Music, Music Teachers, Music Activities, Music Education
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Zuk, Patrick – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2018
This essay explores ways in which musicologists might extend work undertaken by humanities scholars in the interdisciplinary field of trauma studies that has highlighted the centrality of traumatic experience to modernist creativity. It is focussed around a case study of a musical composition that represents the emotional aftermath of a traumatic…
Descriptors: Foreign Countries, Classical Music, Musical Composition, Trauma
Allyn M. Phelps – ProQuest LLC, 2024
Throughout my career as an elementary music educator, I constantly sought ways to decenter myself as the instructor and make space for student agency and independence to flourish. However, my efforts over 10 years were rooted in Western Eurocentric thought. Where I thought I was creating a more egalitarian environment, my Whiteness shielded me…
Descriptors: Music Education, Independent Study, Play, Whites
Avci Akbel, Burcu – Online Submission, 2017
There is a necessity for listening to and even probing into the recordings of the performers who reached the level of mastery in the performance of Turkish Classical Music, which is based on master-apprentice relationship. In this sense, the recordings of Tanburi Cemil Bey, who opened a new era for the next generations with his performances, and…
Descriptors: Classical Music, Foreign Countries, Folk Culture, Music Education
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Whale, Mark – Philosophy of Music Education Review, 2015
Daniel Barenboim, conductor of the Arab/Israeli West-Eastern Divan Orchestra, claims that "everywhere in the world … [Beethoven's Ninth Symphony] speaks to all people." But just how universal is Beethoven? Does his music exceed cultural boundaries or is Barenboim's idea of a "utopian republic," built, in part, upon Beethoven's…
Descriptors: Foreign Countries, Classical Music, Cultural Influences, Correlation
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Kokisheva, Marlena T.; Mahmood, Diana Y.; Begalinova, Gulnar A.; Begembetova, Galiya Z.; Nedlina, Valeriya E. – International Journal of Environmental and Science Education, 2016
The research is devoted to a particular genre of Kazakh classical music--Symphonic kuy. This article is the first attempt to understand not the phenomenon of kuy itself, but its belonging to a certain historical era and culture, therefore reflecting their characteristic properties. The area of Kazakh ethnic music is little studied yet, as is the…
Descriptors: Foreign Countries, Classical Music, Folk Culture, Ethnic Groups
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Elkoshi, Rivka – International Journal of Music Education, 2019
This study was designed to investigate children's audiovisual art, following intuitive listening to complete classical works from different historical periods. The study aimed to examine the effect of different musical stimuli on children's audiovisual output. Two related questions were asked: (1) How do children visually and verbally represent…
Descriptors: Classical Music, Auditory Stimuli, Visual Stimuli, Grade 2
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Smiraglia, Christina; Asaah, Gordon Divine; Lacerda, Hanako Sawada – Research and Issues in Music Education, 2018
Although many programs aim to develop students' listening skills and promote the appreciation of Western classical music, relatively few such programs incorporate visual art. This study examined the perceived effectiveness of the Edinburgh International Festival's (EIF) "Art of Listening" program in reaching its stated goals to: develop…
Descriptors: Listening Skills, Visual Arts, Music Appreciation, Foreign Countries
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Altun, Zühal Dinç; Bülbül, Kenan; Türkkan, Tugba – Universal Journal of Educational Research, 2018
The purpose of this study is to determine whether music preferences differ in terms of drug abuse tendencies and personality traits with regard to the type of music that music teacher candidates listen to. The research group of the study was comprised of 141 university students. Research data were collected using the Substance Use Tendency Scale,…
Descriptors: Music, Preferences, College Students, Drug Abuse
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Després, Jean-Philippe; Burnard, Pamela; Dubé, Francis; Stévance, Sophie – Journal of Research in Music Education, 2017
The growing interest in musical improvisation is exemplified by the body of literatures evidencing the positive impacts of improvisation learning on the musical apprentice's aptitudes and the increasing presence of improvisation in Western classical concert halls and competitions. However, high-level Western classical music improvisers' thinking…
Descriptors: Classical Music, Creative Activities, Semi Structured Interviews, Expertise
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