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Herberholz, Barbara – Arts & Activities, 2011
Artworks are not produced in a vacuum, but by the interaction of experiences, and interrelationships of ideas, perceptions and feelings acknowledged and expressed in some form. Students, like mature artists, may be inspired and motivated by their memories and observations of their surroundings. Like adult artists, students may find that their own…
Descriptors: Art Products, Artists, Influences, Memory
Herberholz, Barbara – Arts & Activities, 1999
Provides an interview with Ken Young, a retired art teacher, who in order to gain students' interest in art history impersonates various artists by researching their backgrounds and dressing up in costume. Focuses on why he began impersonation, his research on the artists, makeup, and his experiences with impersonating artists. (CMK)
Descriptors: Art Education, Art History, Artists, Characterization
Herberholz, Donald; Herberholz, Barbara – 1994
This text is designed for use by college and university students who plan to teach art to children. After an introduction that briefly explains the four components of discipline-based art education, the text is organized in six chapters. (1) "Artists and the Images They Make" introduces students to ideas about how several specific…
Descriptors: Aesthetics, Art Activities, Art Criticism, Art Education
Herberholz, Barbara – Arts & Activities, 2011
What makes an artist a great master? Why are some artworks held in higher esteem than others? In this article, the author considers why the contributions and creations of some artists have made it through the years. A short quiz using just a few of the abundant facts and fascinating information found in "The First Time: Innovations in Art" is…
Descriptors: Artists, Art Products, Art History, Books
Herberholz, Barbara – Arts & Activities, 2010
The National Art Education Association (NAEA) has clearly defined the role of art with six content and achievement standards that are broad in coverage and designed specifically to ensure a thorough and comprehensive art program for K-4, 5-8 and 9-12. To meet the standards, students learn vocabularies and concepts associated with various types of…
Descriptors: Visual Arts, Art Education, National Standards, Academic Standards
Herberholz, Barbara – Arts & Activities, 2011
In this article, the author discusses how the view society has taken in regard to the status and role of the artist has evolved over the centuries, and in different countries and cultures. In general, the public has sometimes lacked understanding and has not accepted some of the more avant-garde artworks, while some artists have achieved…
Descriptors: Artists, Status, Role, Cultural Differences
Herberholz, Barbara – Arts & Activities, 2010
When one creates an artwork, the "ingredients" are the elements of art: (1) line; (2) color; (3) shape/form; (4) texture; and (5) value. How they are used makes up the principles of art: (1) balance; (2) emphasis; (3) proportion; (4) movement; (5) rhythm, repetition and pattern; (6) variety; and (7) unity. Students will gain a better understanding…
Descriptors: Art Education, Visual Arts, Aesthetics, Artists
Herberholz, Barbara – Arts & Activities, 2010
A rich and stimulating opportunity awaits teachers who plan to connect or bring together an art project with another subject area of the curriculum, thus addressing the sixth listing in the National Visual Arts Standards. While art is important in its own right, the reality is there is often too much content in the curriculum nowadays and not…
Descriptors: Art Education, Integrated Curriculum, Interdisciplinary Approach, Visual Arts
Herberholz, Barbara – Arts & Activities, 2010
Having a career in art is based on strong inner feelings that tell a person what it is he or she wants to be, regardless of one's age. By becoming familiar with the lives of artists and what has inspired them, with knowledge of their working processes, teachers can better plan activities for the students in their care. This article takes a look at…
Descriptors: Art Education, Careers, Artists, Art History
Herberholz, Barbara – Arts & Activities, 2010
Students have taken a look at a number of artworks--sculptures, paintings, buildings, murals, masks and other art forms--and have learned who made them, in what country the artist lived and when they were made. They may even remember in which museum a painting now resides. But, do students have any idea as to why these artworks were created? In…
Descriptors: Art Education, Art Products, Art Expression, Art History
Herberholz, Barbara – Arts & Activities, 2012
Artists often paint the different seasonal activities people engage in and the way the world looks as changes take place. The weather for each of the four seasons is different. Farmers plant crops and gardens in the spring and harvest their crops in the fall, just like "The Harvesters" by Pieter Bruegel the Elder. To begin, children will observe…
Descriptors: Studio Art, Art Activities, Artists, Art History
Herberholz, Barbara – Arts & Activities, 2012
A humid summer haze covers the River Seine and the grassy bank where young men and boys go swimming on Sunday. Everything seems so quiet, still, and very hot. They wear hats to protect them from the hot sun. The artist Georges Seurat used warm tones to give viewers the feeling of the hot sun. Seurat was trying to catch the dazzle of hot sunlight…
Descriptors: Studio Art, Art Activities, Artists, Art History
Herberholz, Barbara – Arts & Activities, 2010
The figure has "figured" prominently in the choice of subject matter for many artists throughout history. Whether they may choose to depict it in an abstract or expressive form, most artists are quite capable of realistic portrayals of the human form. And all people know that one of the very first drawings made by young children is a symbol for…
Descriptors: Freehand Drawing, Childrens Art, Studio Art, Teaching Methods
Herberholz, Barbara – Arts & Activities, 2009
Edgar Degas was not yet famous, but was on the point of aesthetic and commercial success when he left Paris in the fall for his New Orleans visit of about four months, during which time he painted 22 major works. It might be said that he was having a midlife crisis at this time. He had been painting ballet and horse pictures to assist his father's…
Descriptors: Art Education, Intellectual History, Artists, Phenomenology
Herberholz, Barbara – Arts & Activities, 2000
Focuses on Thomas Hart Benton, describing his house and studio in Kansas City, Missouri. Considers issues such as his life as the child of a congressman, his formal and informal art education, and his artwork. (CMK)
Descriptors: Art Education, Art Expression, Art History, Artists
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