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Oliver, Suzanne – Journal of Physical Education, Recreation & Dance (JOPERD), 2009
This article addresses postural awareness and efficiency as a fundamental but often overlooked aspect of movement training that falls naturally into the domain of HPERD pedagogical practice. Beginning with a brief overview and discussion on the anatomical "cost" of poor organization, the body of the article describes activities that can be…
Descriptors: Movement Education, Teaching Methods, Human Body, Physical Activities
Van Dyke, Leon Jay – 1975
The first three chapters of this study on stage movement trace the emerging influence upon men of the theatre of "commedia," the Orient, and various psychologically-based therapies. The focus then shifts to what is currently being employed to train actors in this country. Using primary sources, eight schools (the Julliard School, the…
Descriptors: Acting, Doctoral Dissertations, Dramatics, Higher Education
Palleschi, Patricia – 1976
This paper attempts to incorporate the current research done on the rhetoric of social movements into a coherent syllabus for a basic rhetoric course. It deals with the adaptation of the tools of rhetoric at the disposal of the beginning student into a procedure for an analysis of social movements and provides that such an analysis give the…
Descriptors: Communication Skills, Course Content, Course Organization, Educational Philosophy
Jarvis, Gilbert A. – Bulletin of the Pennsylvania State Modern Language Association, 1978
Four forces seem to be at work in society today that have implications for language teaching. First, the interdependence of planet Earth has become a reality that has increased general awareness of the presence of speakers of other languages among us and awareness on the part of government leaders of the need to encourage foreign language studies.…
Descriptors: Cognitive Processes, Cognitive Style, Communicative Competence (Languages), Coping
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Barker, Sarah A. – Theatre Topics, 2002
Notes the discrepancy between students' use of the Alexander Technique in class and on stage. Discusses three fundamental self-use objectives of the Alexander Technique: the reduction of excess physical compression and muscularity; the unification of body/voice and thought; and the expansion of the field of attention. Demonstrates how each…
Descriptors: Acting, Audience Awareness, Higher Education, Movement Education