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Showing 1 to 15 of 186 results Save | Export
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Carter, Katrina – Teaching Artist Journal, 2018
Dr. Katrina Carter shares some of the challenges and successes she encountered when incorporating Audio Description (AD) into an undergraduate circus module in the UK, for the first time. She demonstrates how, by considering diverse audiences, access tools can enhance the creative process for the artists themselves. Forcing them to question what,…
Descriptors: Undergraduate Students, Teaching Methods, Audio Equipment, Story Telling
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Ward, Sophie – Journal for Critical Education Policy Studies, 2018
This paper offers a critical analysis of the imposition of Fundamental British Values (FBVs) in schools and nurseries as part of Prevent, the UK's counter-terrorism strategy, and compares the rationale of this policy with the motivation for Theatre in Education (TIE). This paper argues that the 'values' promoted through education under Prevent…
Descriptors: Theater Arts, Teaching Methods, Social Values, Propaganda
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de Smet, Sofie; De Haene, Lucia; Rousseau, Cécile; Stalpaert, Christel – Research in Drama Education, 2018
In this article, we question the unilateral discourse of benefit of participation in participatory refugee theatre in the context of a growing socio-political climate of polarisation and stigmatisation of refugees in European countries of resettlement. By integrating critical voices from the fields of applied theatre and refugee research, we…
Descriptors: Drama, Refugees, Theater Arts, Social Bias
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Coskuner, Sonat – Journal of Education and Training Studies, 2018
Today, contemporary music emerges as an experimental phenomenon trapped in the laboratory environment rather than an element of skill. Modern music, where principles such as specialism and rationality are determinative, has become difficult to understand not only for performers who carry it on the stage but also for today's audience. One of the…
Descriptors: Music, Acoustics, Performance, Musicians
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Allen, David; Laine, Eero – Research in Drama Education, 2018
Theatre artists were interviewed to understand how they conceptualise audiences in relation to their own creative and collaborative processes. The authors identified three modes through which theatre artists engage with audiences: (1) watching with the audience, (2) confronting the audience, and (3) creating a community of practice/knowledge. This…
Descriptors: Theater Arts, Audiences, Teaching Methods, Artists
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Diamond, Catherine – Research in Drama Education, 2018
Without knowing anything of the contentious history between Sulawesi's Chinese and Indonesian Moslem communities, Taiwanese director Peng Ya-ling went to Makassar to conduct a reconciliation workshop. As director of Uhan Shii Theatre, Peng creates performances from oral histories she collects in interviews. She applied this technique in Indonesia,…
Descriptors: Workshops, Foreign Countries, Muslims, History
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Fletcher-Watson, Ben; May, Shaun – Research in Drama Education, 2018
'Relaxed performances' allow theatre spectators to experience a non-judgmental environment, featuring adjustments to make them more accessible to a range of audiences. The Autism Arts Festival attempted to develop the idea of relaxed performances further to create an entirely autism-friendly festival in Canterbury. The organisers developed a suite…
Descriptors: Theater Arts, Autism, Sense of Community, Social Bias
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Turner-King, Rachel – Research in Drama Education, 2018
This paper explores the relationship between notions of 'access' and 'hospitality' by focusing on two practice-led research interventions conducted in two regional arts venues in the culturally and ethnically diverse city of Coventry, UK. By conceptualising Warwick Arts Centre and The Belgrade Theatre as potential sites of hospitality, I consider…
Descriptors: Theater Arts, Correlation, Cultural Pluralism, Interpersonal Relationship
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Jones, Jonathan P. – Teaching Artist Journal, 2018
Social change develops over time, but it begins with individual and collective actions by real people. In the current American atmosphere of resistance, activism, and art-ivism, what are the tools that artists can employ to motivate audience members to act? This article illuminates the call to action, an essential element of persuasive speaking…
Descriptors: Social Change, Activism, Theater Arts, Performance
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Sadeghi-Yekta, Kirsten – Research in Drama Education, 2017
This article looks at the concept of "internationalised applied theatre" within Nicaraguan non-profit arts organisation Movimiento Teatro Popular Sin Fronteras (Movitep-SF). It examines the push-and-pull factors between local sovereignties and the international aid industry, and shows how this interaction occurs on a micro-level between…
Descriptors: Foreign Countries, Theater Arts, Drama, International Cooperation
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Gilman, Sharlene Elinor – Journal of Curriculum and Pedagogy, 2017
This article describes responses of a group of adolescent student actors and actor alumni involved in anti-bullying skits arising from a critical case study of the Tolerance Troupe from a small rural and suburban borough in Pennsylvania. Seventeen active members and 19 actor alumni participated in semi-structured interviews focusing on what the…
Descriptors: Bullying, Prevention, Theater Arts, Rural Areas
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Hughes, Jenny – Research in Drama Education, 2017
"The Deal Versus the People" was a theatrical response created by people in Bradford (UK) to the Transatlantic Trade and Investment Partnership (TTIP). A controversial trade deal between the European Union and United States being negotiated at the time of the production, TTIP threatened to deepen trade liberalisation, with potentially…
Descriptors: Foreign Countries, Neoliberalism, Audiences, Art
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Barokka (Okka), Khairani – Research in Drama Education, 2017
This article presents lessons from touring a show on pain with limited resources and in chronic pain. In 2014, I toured solo deaf-accessible poetry/art show "Eve and Mary Are Having Coffee" in various forms in the UK, Austria, and India. As an Indonesian woman with then-extreme chronic pain and fatigue, herein are lessons learned from…
Descriptors: Deafness, Chronic Illness, Accessibility (for Disabled), Theater Arts
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Kerby, Holly Walter; DeKorver, Brittland K.; Cantor, Joanne – International Journal of Science Education, 2018
Advocates for the use of story in science education assert that it can bolster understanding of science concepts in classroom settings and enhance interest and engagement. However, only a handful of classroom studies confirm these claims, and many of them use story as an introduction, not the primary method of content delivery. Reasons for this…
Descriptors: Science Education, Scientific Concepts, Science Interests, Teaching Methods
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Rajan, Rekha S. – Music Educators Journal, 2016
The idea of audience etiquette brings with it specific expectations influenced by both the social context and the performance genre. While audience response has traditionally been viewed as passive, performers are finding new and innovative ways of actively engaging young audiences, seeking immediate response, inviting exploration, and encouraging…
Descriptors: Audiences, Music Activities, Music Education, Theater Arts
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