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Wang, Wan-Jung – Research in Drama Education, 2014
Museums have been employing theatre activities in their educational programmes to outreach youngsters for more than three decades all over the world since the late 1980s; however, it is still quite a new experience for eastern and south-eastern Asian countries. In the past 3 years, Hong Kong, Singapore and Taiwan started to use different forms of…
Descriptors: Drama, Theater Arts, Self Concept, Cultural Background
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Wang, Wan-Jung – Research in Drama Education, 2014
Since the 1990s, Hong Kong, Singapore and Taiwan have encountered political, social, economic and cultural challenges. During this period, their community theatres have played distinctive roles in activating their public space to reimagine their communities, form dialogues with their governments and construct learning experiences amongst various…
Descriptors: Foreign Countries, Theater Arts, Community Programs, Comparative Education
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Wang, Wan-Jung; Po-Chi, Tam; Kim, Byoung Joo; Kok, Heng Leun – Research in Drama Education, 2013
Since the end of the 1980s in the NIE4--Hong Kong, Taiwan, South Korea and Singapore--in Asia, progressive cultural and educational policies have developed along with tremendous economic growth, and a belief in the value of cultivating excellent human resources has provided the fertile ground to plant the seeds for Drama Education and Applied…
Descriptors: Educational Policy, Foreign Countries, Ideology, Economic Progress
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Wang, Wan-Jung – Research in Drama Education, 2010
This paper aims to explore a range of aesthetic aspects involved in the devising and production processes of oral history performance in a classroom setting. It touches upon the ethical dimension of aesthetics employing the Confucianist Wang Yang Ming's aesthetic philosophy and Buber's theories of relation as the theoretical frames. The devising…
Descriptors: Oral History, Personal Narratives, Ethics, Aesthetics
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Wang, Wan-Jung – Research in Drama Education, 2006
Founded in 1995, the Taiwanese Uhan Shii Theatre Group has created 12 distinctive reminiscence theatre productions and has performed locally in Taiwan as well as globally around the world. The company has developed its own theatrical aesthetics of memory, and their work not only represents the traditions of Taiwanese culture and habitus, but it…
Descriptors: Foreign Countries, Recall (Psychology), Aesthetics, Sex Role