The ultimate aim of artistic exploration is to explore the claim that objects are different from experience and beauty is just a by-product of the exploration. In other words, the truth in the eyes of each person may quite literally not be the same. This indicates that differences in the visual apparatus influence the viewing body's mastery of the "contents" of the objects being viewed. Differences in visual apparatus will bring forth differences in the mastery of "content." Given the differences in how the world appears in relation to the viewing apparatus, one might well yearn for understanding the world through the eyes of insects, such as dragonflies, which must be interesting and beautiful. In this article, the author talks about visual presentation under the influence of multidimensional concepts. He begins with an analysis of the visual logic of viewing system. He then discusses how to obtain more visual apperception. He concludes that the formation of a consumerist appreciation of pictures compels artistic representation to move to a more active presentation. To the contrary, what artworks should be doing is enable viewers to become integrated with the artwork through the experience of appreciating it. (Contains 6 notes.)